Magic Under Stone, by Jaclyn Dolamore

I quite enjoyed Magic Under Glass, by Jaclyn Dolamore (my thoughts), which told the story of how Nimira, a dancing girl with dreams of a better future, rescues Erris, a fairy prince, from a clockwork prison (he is the star of a clockwork tableau, forced to play a mechanical piano with mechanical hands when wound up). Unfortunately for both Nimira and Erris, the rescuing that took place in that first book only did half the job.

In Magic Under Stone (Bloomsbury, 2012), Erris may have been restored to autonomous life, but he's still trapped in a clockwork body. And Nimira loves him, and is sad that a. he's still a machine who needs to be wound up every morning and b. is distracted by his situation, and the unresolved issue of who did it to him (and is therefore not focusing on being in love with her).

Solving those two problems is the matter with which book 2 deals, with the pleasant addition of a djinn, bound to serve the current fairy ruling family. Nim and Erris have travelled to the remote home of sorcerer that they hope can help them, only to find that he is not at home. His daughter, however, and the young chatelaine of the house, are still in residence...and the daughter, in particular, has her own role to play in the machinations of fairy politics (especially with regard to the mission on which the djinn is sent).

It's a rather peaceful, slow, character-rich book, for all the intrigue and danger lurking in the fairy realm, and dangers from the human side of things as well. And that was fine with me--I'm happy to read about interesting people stuck together in a remote house, learning magic and trying to figure out what to do about their problems! And I liked the djinn, who was perhaps the most zesty of the characters, with problems of his own (of the sort related to magical servitude). The romance aspect of this book was a tad frustrating (for Nim as well as the reader), though the resurgence of the love triangle from book three did give it some energy. And the ending packed on a hefty dose of active adventuring and excitement, which was a nice contrast to the slower beginning.

So all in all, a satisfying read--not one I'd say was a must-read, but still one I was perfectly content to spend time with. And I'm pleased that it's another for my list of multicultural sci fi/fantasy, what with Nim being from a South Asian-equivalent country (as she is shown on the lovely cover).

Wooden Bones, by Scott William Carter

So at the end of the original story of Pinocchio, the wooden puppet is a truly alive little boy, living happily ever after with his kindly father, Gepetto. Or perhaps not.

In Wooden Bones (Simon & Schuster Books For Young Readers, August,2012) Scott William Carter tells the story of what happens to Pino next. Happy ever after doesn't happen quite yet....

Pino wants to be a normal boy, but, almost as if he were autistic, he struggles to understand the nuance of human emotion and social mores. But he making progress...though his effort to bring back Gepetto's lost wife as a animate wooden puppet ends up creating a monster. And then there are those in the village desperate to have their own lost loved ones given new form in living wood...and Gepetto and Pino are forced to flee into the dark forest to escape their anger when their wishes aren't granted.

As Pino and Gepetto travel, they meet others who would use Pino's gift to make their dreams come true--the paralyzed young priestess of a tree dwelling community, and a singer whose face was horribly disfigured by her husband. But though Pino reluctantly works his magic, happy endings are hard to come by. And as Pino works to make wood come alive for others, he watches as his own body turns slowly back into wood...

It's not until Pino uses his gift for himself, to save Gepetto out of a panic of love and fear, that he becomes once more fully human.

(At which point, I wonder if I missed the point, because what I was left with is the moral "coerced gifts make the giver less human," and that seems quite possibly true, but rather unexpected.)

But in any event, I read this slim book in a single sitting, not entirely convinced by the oddness of Pinocchio's sojourn with the tree dwellers and their magically gifted priestess (this was not what I expected in a historic Italian setting), but still very interested none the less in how Pino's story would turn out.

It's the sort of book that reads as a fairy tale for grown ups (it's complex enough to have adult appeal), as much as it does as a straight children's book, and so it's tricky to recommend to any particular demographic. It's straightforward enough (some people's confusion about the moral aside) for a child to read it and enjoy it, though the motivations of the characters who want Pino's gift to make them happy are perhaps rather adult--bring back dead children, be free of a life spent helplessly serving a community that demands too much, to return to the stage and be an adored star again). The child reader might well have more tolerance for the somewhat episodic arc of the story, and might also find the tree-dwellers more appealing than I did! And working strongly in the book's favor is that Pino is a very likable, even loveable, character, whose easy to empathize with.

So if you are interested in books that expand old stories, and take them new or strange places, this might well appeal, and there are doubtless child readers that will find it magical as well, though it might be a hard sell.

Variant, by Robison Wells

Variant, by Robison Wells (HarperTeen, YA, October, 2011) is a lovely example of dystopia writ small, all the more intense for the claustrophobia of its nightmarish setting.

Imagine an isolated boarding school. One where there are no teachers, where directives are issued electronically. One where breaking the rules means that you might disappear. One that where something is very, very wrong, and very scary.

This is the school where a foster kid named Benson is deposited one day, after winning a scholarship that he hopes will give him a chance at a new life. It is not the school he had had in mind.

The students have organized themselves into factions--those who are cooperating with a grim, self-righteous intensity (a gang of crisply dressed, stiff backed self-righteous rule under-liners), those who favor anarchy whenever possible (featuring self-drawn tattoos and as much bad ass attitude as circumstances allow), and the Variants--those who go against the grain, those who most often think of escape.

For Benson, the choice to throw his lot in with the Variants is easy. Escape from this insane school is clearly desirable. Unfortunately, it's also impossible. As the days pass, the depths of its dark wrongness become ever more apparent. Benson gradually discovers answers...but knowledge can be deadly. And there are no loving adults to come and rescue these trapped children...most, like Benson, have no family to care about their fate.

Boy did the plot twist in ways I didn't see coming! Obviously there was some Evil Scheme at work--the students themselves figured they were being tested in some way, for some unknown purposes. But they didn't have a clue what was going on...and neither did I! This one has all the tension of, say, The Maze Runner, but the surreal school setting, at once familiar and cozy, but also horribly wrong, made it all more subtly disturbing. It's a story of teenage orphans in psychological hell, but it's a hell made almost bearable by the rewards and treats bestowed from on high (tasty food, cool clothes, exciting games of combat style paint-ball), and by the friendships formed among the kids.

I devoured it in a fugue state of page-turning, slack-jawed enjoyment, and recommend it with great enthusiasm.

The sequel, Feedback, is coming out on October 2nd...I'm a little worried that now I have answers, and now that the action will be taking place on a a larger canvas, I won't quite enjoy things as much. But Wells did such a good job on this one that I am more than willing to chance it.

Note on age: If a kid is old enough for The Hunger Games, he or she is old enough for this one. I'd happily give it to a twelve year old.

Captain Underpants and the Terrifying Return of Tippy Tinkletrousers, for Timeslip Tuesday

Much to my surprise (although I should know by know to expect the unexpected from Dav Pilkey), Captain Underpants and the Terrifying Return of Tippy Tinkletrousers (Scholastic, August 28, 2012) is a time travel book!

When last we saw our heroes, George and Harold, they were on their way to jail...but then Tippy Tinkletrousers, in his gigantic pair of robotic, death-dealing pants (or at least, mega freeze powered pants) appeared out of nowhere...and the cops got iced.

But. Tippy T. wasn't supposed to have shown up just then. He wasn't supposed to have traveled backwards through time...and he wasn't supposed to have set in motion a chain of events that led to the destruction of the whole planet (!!!). Instead, Harold and George were supposed to end up in juvenile detention, and their principal, Mr. Krupp, was supposed to end up in jail. And the train of events was then going to lead to Tippy T. creating his Robo-Pants, facing off with Captain Underpants, and then fleeing back into the past....

But. Before we pick up that story, we are taken back by the author to an even earlier time--Kindergarten. And in a lovely long backstory that occupies most of the book, we get to see George and Harold becoming friends, and taking down the nasty bullies of the school with their super deluxe inventiveness and penchant for pranksterish schemes (I liked this bit. It was a good story, and there were no poop jokes).

But. The Happy Ending is disrupted by Tippy T. traveling back in time, arriving just at the point where George and Harold were about to savor their victory....bang goes the victory...but worse than that, because of this time travelling, Captain Underpants is never brought to super heroic life! All those bad guys in the earlier books get to wreck their evil havoc unopposed! The World Ends!

Can this really truly be it?

No. There's another book on its way.

This is perhaps my favorite of the Capt. Underpants books, which might not be saying a lot, cause goodness knows I am not the target audience. I did sincerely enjoy this one, though-I'm always a sucker for a good bit of backstory to characters I've already gotten a chance to know. And it wasn't as reliant on bathroom humor as other books I could name in the series.

And my boys devoured it repeatedly, as children all across our country doubtless will as well....unless, of course, a time travelling accident changes the writerly course of Dav Pilkey's past, and he decides that what he really wants to do instead of writing this one is to finish Ricky Ricotta's Giant Robot series....

Edited to add: It occurs to me that George (whose hair, by the way, was an exuberant afro when he was young; we get to see him have his first really short haircut, courtesy of Harold), puts this one on my list of diverse fantasy and sci fi. Good.

Book Blogger Appreciation Week--interview swap with Liviania of In Bed With Books

I signed up at something of the last minute for this year's BBAW Interview Swap...and ended up being very pleased indeed to have been paired with a blogger on my Reader list, who's also a frequent commentor here!

Liviania blogs at In Bed With Books, where she reviews widely and well, and she includes a generous enough amount of middle grade and YA sci fi/fantasy to keep me reading her blog eagerly.

Here are my questions, and Liviania's answers:

You've been blogging a long time-since the fall of 2008. What keeps you going, blog-wise? Has your approach to blogging changed over the years? I guess your blogging energy is going strong right now (215 posts this year!), but have you ever felt overwhelmed and tempted to quit?

I think what keeps me going is the joy of talking about books. When I read something I love, I want to shout about it to the rooftops. (I read all the interview questions first, so I'll hold back for a second on my hosannas.) And blogging helps me find more of those books. It's a win-win situation. And that gels with my approach, which is to have fun. Every once in a while I'll go through an analytic period, but having fun is always the first priority.

As for this year, I'm not sure what's up with that. I have a lot of time on my hands due to the whole unemployed situation, and I spend a lot of that spare time reading. I've mostly been more dedicated to reviewing more of the books that I read. I've never been tempted to quit, but I did have a long hiatus recently. Ending it was tough because I felt guilty about all the things I meant to write during that period that I never would write. But I eventually girded my loins and got back to it. I'm going on a long trip starting on the 15^th, so my posting rate may start suffering once I run out of prescheduled weeks. We'll see.

Me: I once had a prescheduled day....I hope the trip goes well, and you don't run out of things to read!

Have you always been a reader? Are you a re-reader?

I was immediately voracious about reading, unsurprising since I come from a family of readers. I'm a big re-reader – I don't feel like I've truly read a book until I've gone over it at least five times and found all the nuances I missed the first time. Nowadays I have so much to read it is hard to get back to old favorites.

Me: Isn't it the truth! I used to re-read voraciously, and I do miss it....

Do you still have your favorite books from childhood (and what are they?)

My favorite books from childhood include WATERSHIP DOWN by Richard Adams, the Animorphs series by K. A. Applegate, the Circle of Magic quartet by Tamora Pierce, SO YOU WANT TO BE A WIZARD by Diane Duane, ELLA ENCHANTED by Gail Carson Levine, the Enchanted Forest Chronicles by Patricia C. Wrede, anything by John Peel, AFTERNOON OF THE ELVES by Janet Taylor Lisle, anything by Mary Downing Hahn (especially THE GENTLEMAN OUTLAW AND ME, ELI), the Chronicles of Pyrdain by Lloyd Alexander, KIDNAPPED by Robert Louis Stevenson, anything by Roald Dahl, and THE GIRL WITH THE SILVER EYES by Willo Davis Roberts. And a quick shout-out to three favorite books I first read in late childhood (age thirteen or so): THE CHINA GARDEN by Liz Berry, THE THIEF by Megan Whalen Turner, and MARTYN PIG by Kevin Brooks. I'm pretty sure that covers the important ones. (I am not stingy with my book love.)

Texas seems to have a really vibrant book community. Do you live close enough to the action to get to go to all the cool events I seem to be reading about constantly? Have you met lots of Texas authors and bloggers? And following from that, who's the one author you would most like to meet (for real conversation) in real life?

It really does. I'm lucky in that I have places I can stay in most of the major cities, meaning I can attend a wide range of events if I want. This will be the first year I'm unable to attend the Austin Teen Book Festival, which I'm pretty sad about. I have met lots of Texas authors and bloggers at those events, though only briefly. I don't always introduce myself as a blogger, because I get super shy when someone goes, "I've heard of In Bed With Books!" I assume there are other people out there who are the same and thus I've probably met them without meeting them.

As for who I would like to meet for real conversation, Sarah Rees Brennan currently tops the list. When I thought I was going to ATBF, I set up an interview with her, but I had to break that engagement. I think she'd be just as fun in person as she is online. If it could be any author living or dead, I'd like to spend time with Nathaniel Hawthorne. I have a thing for his prose.

I am terribly behind on my YA reading, since I mainly read middle grade these days. Are there any particular Must Read YA sci fi/fantasy books that you'd recommend?

HAHAHAHAHA, ARE THERE ANY YA SFF BOOKS I'D RECOMMEND. ARE THERE ANY I WOULDN'T?

EVERY DAY by David Levithan – This one isn't neatly science fiction or fantasy, but it's definitely in the speculative fiction wheelhouse. Every day A wakes up as a different person. It's a love story and an exploration of identity and Levithan's writing is more polished than ever.

THE GIRL WITH BORROWED WINGS by Rinsai Rossetti – Another pic that fits more under the spec fic title. Rossetti's prose is so polished and lovely that's it's hard to believe she wrote this novel at eighteen. It's girl meets boy-with-wings, lushly told.

UNSPOKEN by Sarah Rees Brennan – This one comes out today and I can't pimp it enough. It's a modernized Gothic filled with magic, danger, intrepid girl reporters. It's funny and saucy.

SERAPHINA by Rachel Hartman – Hartman's debut brings traditional fantasy back. It's a bit slow for some readers, but I love her mix of politics and dragons.

THE RAVEN BOYS by Maggie Stiefvater – Stiefvater takes myth from the British Isles, dumps it in the American sticks, and makes it work. This one is about a group of beautiful boys and a beautiful girl who are walking straight into disaster because they want. I'm still getting shivers over it.

INSIGNIA by S. J. Kincaid – ENDER'S GAME meets Red Dawn is my best description of this book. I feel like science fiction is having a bit of a resurgence in the YA market right now, and books like this are leading the way.

LOSERS IN SPACE by John Barnes – This one took a bit of time to get into, but paid off in spades. It's cynical and funny with at least one scene that's still sticking with me, emotionally, three months later.

A CONFUSION OF PRINCES by Garth Nix – Basically anything Nix writes is fantastic, and his latest is no exception. It's been growing on me since the first time I read it. Perfect for any space opera fans.

And, because I can't resist, I'm going to throw in a bonus middle grade book. I adored 13 HANGMEN by Art Corriveau. It's exactly the sort of book I read and loved in elementary and it still appealed to me.

Me: Thanks!!!! That should keep me going for a while....I want Unspoken in particular rather badly...

Reading your About Me section, I saw that you have years of ballet in your past. Do you seek out ballet books? Are there any you would recommend, or any that bothered you because of not getting details right? I enjoy ballet books lots myself, even though my own lessons were intermittent!

I don't really seek out any specific kinds of books. I'm a bit too enthusiastic about everything. But I do enjoy reading about ballet and I've had the good luck to come across novels that get it right. Some recent ones I'd recommend are THE CRANES DANCE by Meg Howrey, a darkly comedic adult novel about an injured ballerina, and AUDITION by Stasia Ward Kehoe, a YA novel in verse about a girl choosing between professional ballet and writing. And I still have all of my Noel Streatfeild's, including a copy of SKATING SHOES my mom bought from ebay when it was out of print.

Liviania spent some time studying at Oxford a while ago, and so my natural question is--Did you get much chance to go book shopping? Did you discover any new to you UK authors?

I went to all the bookshops I could find. Most of the books I bought were by authors I first heard of in the States. Some, like RJ Anderson's KNIFE (FAERY REBELS in the US), I bought because I preferred the UK cover. One of the few absolutely new-to-me authors I found was Sophie McKenzie. Her YA thrillers have won several awards but aren't available in the US. When I took advantage of a three-day weekend to go to Germany, Lenore (http://presentinglenore.blogspot.com) introduced me to Sarah Waters. Sadly, I had to leave several books I bought behind because there wasn't room for them in my luggage.

Me: Sad!

Thanks so much, Liviania, for being my blog interview partner!

Summer and Bird, by Katherine Catmull

Summer and Bird, by Katherine Catmull (Dutton Juvenile, October 2, 2012, middle grade, 384 pages)

Summer and Bird are two sisters, 12 and 9, whose parents leave them one cold night. When they wake to find themselves alone,they find a single clue--a picture message from their mother, that leads them to the gate she made to mark the entrance to the woods...but when they pass through it, reality disappears and they find themselves in the world of Down.

Down is a world of talking birds, and strange magic. In the world of Down, each sister must make her way through a maze of old stories, to find the truth about their parents, about the magic of the birds, and about who they, themselves, might become. But there is someone who wants to keep them in ignorance--a woman so crazed with her desire to become a bird herself that she has set herself as Queen over the world of Down, and in so doing caused the way to the paradise of the birds--the Green Home, to be closed.

When Summer and Bird find the long-lost true Queen of the Birds, all the answers are theirs...but after all that they have undergone--the secrets kept from each other, the betrayals (intentional and not), the lonely ordeals--will they still be true sisters?

My own question, the one that I end every book with--did I like it?-- is somewhat hard to answer. On the plus side, the world that the book explores is full of wonderful images and stories, and the themes of identity and sibling bonds are appealingly presented. I liked the dark fairy tale feel of the story--the danger is to a large extent psychological, and there are no fantasy monsters to kill. Rather, the two sisters must make their separate ways through a threatening landscape of great strangeness, with Bird going alone to the heart of th darkness that overshadows the land of the birds...And she is only nine years old, and behaves very much as a young child might, which I appreciated.

But this is a story that is strongly conscious of itself, and this is not my personal favorite type of book. The narrator is intrusive, in the sort of underlining that the characters are Characters in a Story way, as opposed to addressing the reader way. For instance:

"Is it really so easy for Bird? Can she walk away from her family with only a little sadness?

Perhaps she is walking away from something else as well. Perhaps she is walking away from something she did--something that she doesn't want to think about.

Perhaps she feels a little guilty. Or more than a little." (page 105 of ARC).

And while most of the book is written in straightforward third person past tense, there are sections in first person present that likewise underline the point that this is a Story:

"Air rushes around the girl, waterfall falling up. No: she is falling.

The summer girl opens her eyes to blue. She is falling through an immense sky, a huge and cloudless empty blue. Her ears are full of rushing silence." (page 141 of ARC).

Fortunately for my own reading pleasure, these two aspects of the book diminish after around the half-way point, and I was able to lose myself in the thrill of the story and enjoy it, instead of putting the book down forever, as I was half tempted to do. And looking back on it, I feel much more favorably toward it than I did when I was actually reading it...I imagine that it is one my mind will replay to me while reading, for instance, the way ones mind does with things that have made a big impression.

Viz child appeal: I think there are a number of young readers who will be willing to accept more openly than I was the way the story was told; I also think there are many who will find it jarring. And the same, I think, goes for adult readers. If I had to recommend it as a read alike, I think I'd go with Wildwood, by Colin Meloy...though that has more immediate Action and the dangers are more physically present.

Review copy received from the publisher.

This Sunday's round-up of middle grade fantasy and science fiction from around the blogs (9/9/2012)

Here we are again. Please feel free to enjoy these middle grade sci fi/fantasy links that I collected during my week of blog reading, and please let me now if I missed yours!

The Reviews:

The Adventures of Sir Balin the Ill-Fated, by Gerald Morris, at Oops....Wrong Cookie

The Adventures of Stanley Delacourt (Hartlandia 1), by Ilana Waters, at Readingjuky's Reading Roost

Beyond, by Graham McNamee, at Ms. Yingling Reads

Blue Fire (The Healing Wars 2) by Janice Hardy, at nom nom tasty books

The Cavendish Home for Boys and Girls, by Claire Legrand, at The Book Smugglers

Darkbeast, by Morgan Keyes, at Charlotte's Library

The Doom Machine, by Mark Teague, at Maria's Melange (scroll down a tad)

Enchanted Glass, by Diana Wynne Jones, at The Adventures of Cecelia Bedelia

Gods and Warriors, by Michelle Paver, at Hooked on Books

Horten's Incredible Illusions, by Lissa Evans, at Cracking the Cover

Horten's Miraculous Mechanisms, by Lissa Evans, at Charlotte's Library

Invisible Fiends: The Darkest Corners, by Barry Hutchison, at Bart's Bookshelf

The Last Dogs--the Vanishing, by Christopher Holt, at The Book on the Hill

The Last Guardian, by Eoin Colfer, at Fantasy Literature

Legends of Zita the Space Girl, by Ben Hatke, at books4yourkids

Lightmasters: Number 13, by M.G. Wells, at Sharon the Librarian

Malcolm at Midnight, by W.H. Beck, at Jen Robinson's Book Page

Messenger, by Lois Lowry, at Fantasy Literature

Splendors and Glooms, by Laura Amy Schlitz, at That Blog Belongs to Emily Brown and Faith E. Hough

St. Viper's School for Super Villains, by Kim Donovan, at Sharon the Librarian

The Tale of Emily Windsnap, by Liz Kessler, at Nayu's Reading Corner

The Time Garden, by Edward Eager, at Time Travel Times Two

The Time-Traveling Fashionista at the Palace of Marie Antoinette, by Bianca Turetsky, at The Fourth Musketeer

Victory, by Susan Cooper, at Ms. Yingling Reads

What Came from the Stars, by Gary Schmidt, at Sonderbooks

Wildwood, by Colin Meloy, at Emily's Reading Room

Authors and Interviews:

Claire Legrand (The Cavendish Home for Boys and Girls) talks mg heroines at The Book Smugglers, and also guest posting at Project Mayhem

Adam Jay Epstein and Andrew Jacobson (The Familiars--Circle of Heros) at The O.W.L.

Morgan Keyes (Darkbeast) at Whatever, Stephanie Burgis, and at Jim C. Hines

Other Good Stuff:

Here's a fascinating dissection of all the clues tucked into the first two chapters of The Thief, by Megan Whalen Turner, at Deirdre's Book Blog

The Trilogy that begins with The False Prince, by Jennifer Nielsen, has been optioned for the movies

Reading The Giver as an adult, from The Atlantic

Liz Kessler presents M is for Mermaid today at Scribble City Central

National Buy a Book Day is today! Why not support diversity? (Mg/YA sci fi/fantasy shopping guide included)

Today is National Buy a Book Day. To the basic challenge (not so difficult) of buying a book, I suggested adding another goal--buy a book that shows a main character who isn't white.

Way back in 2009, I made a conscious choice to add more diversity to the books on my children's bookshelves (here's that post). I wanted them to take for granted that the characters they saw on book covers, and read about inside, might well not be white. It proved hard to do. It is very, very difficult to walk into Barnes and Nobel and come out with a middle grade fantasy book that shows a kid of color on the cover. Especially if you have successfully done it once or twice already in a particular year.

But as bookseller Elizabeth Bluemie discussed in her post at CBC Diveristy*--"Who will create the new normal?"-- "If there’s one thing I have learned from my time in the handselling trenches, it’s how readily the public accept what we tell them is worth reading, what we stand behind and put our resources into. The more diversity there is on book covers, the more normalized those images become, and the more people will see beyond skin color on book covers into the stories themselves."

Those of us who aren't writer or booksellers or publishers have perhaps the most valuable resource of all--purchasing power. So today, for National Buy a Book Day, why not put that purchasing power to work for the cause of increasing diversity in children's and YA books?

For those looking for suggestions for fantasy and science fiction for kids and teenagers (since you might not be able to stroll into your local bookstore and pick one up that you haven't bought already), here are some covers showing people who aren't white (although with at least two of them, the person shown looks whiter than described inside). There are other books with non-white characters, but these are the only cover pictures I found (please tell me there are many I missed!!!)

Middle Grade sci fi/fantasy:

Monster Matsuri (Takeshita Demons 3), by Cristy Burne
The Stones of Ravenglass, by Jenny Nimmo
Dust Girl, by Sarah Zettel
The Magnificent 12: The Key, by Michael Grant
Circle of Cranes, by Annette LeBox
The Book of Wonders, by Jasmine Richards
Jacob Wonderbar for President of the Universe, by Nathan Bransford























Possibly The Mark of Athena, by Rick Riordan, shows one of the non-white characters in that series, but squintching at the cover image on line proved ineffective in determining if this is the case.

And here are the YA covers that I found:

Shadows on the Moon, by Zoe Marriott
Cat Girl's Day Off, by Kimberly Pauley
Transcendence, by C.J.Omololu
Poison Tree, by Amelia Atwater-Rhodes
Spirit's Princess, by Esther Friesner
The Chaos, by Nalo Hopkinson
Magic Under Stone, by Jaclyn Dolamore
The Friday Society, by Adrienne Kress
The Galahad Legacy, by Dom Testa
Stormdancer, by Jay Kristoff (note: apparently this might not be a good example of diversity in YA, despite the beautiful cover--a commenter has noted that the author seems to have not had great respect for the culture in which he set the book. Any thoughts?)






























For those who want more suggestions, here's my list of the c. 100 multicultural sci fi/fantasy books that I've reviewed.

*CBC Diversity hosted a great series of posts on diversity in book covers this month--check it out.

Awesome mg and ya event in Boston, Sept 18, 2012

Boston GLOW, an organization that "aims to foster opportunities for women of all ages to become empowered community leaders and active, engaged world citizens" is hosting an event that sounds absolutely brilliant!

FIGHT LIKE A GIRL


I am going to go. Even though it's Boston--59 minutes away... and I get lost in Boston...but presumably the drive home would be easier, because I would be empowered.

Darkbeast, by Morgan Keyes

Darkbeast, by Morgan Keyes (Margaret K. McElderry Books, middle grade, August 28, 2012), is a book that you can judge by its lovely cover. At least, I myself was completely taken with it--the strong stance of the girl, the raven poised to fly, the hint of danger in the falling feathers....And I bet that any ten or eleven year old (or so) girl who's a fantasy reader will feel the same way.* Happily, the story inside lives up to its cover beautifully!

Keara has lived with her raven Caw since she was a baby--sharing all her thoughts and dreams with him, and hearing his voice in return. He is her darkbeast, able to take all her faults and failings away from her when she tells them to him. Every child has a darkbeast, often a toad, or a snake, or a lizard, bound to them until their twelfth birthday, but not every one's darkbeast is their beloved friend (it is, perhaps, easier to be friends with a raven than with a snake, but regardless, Caw has tons of personality, and Keara loves him).

But the thing is, when you turn twelve in Keara's world, you are too old to have a darkbeast anymore, and are supposed to grow up and conquer your own faults. And so your darkbeast must die, in a ritual enforced by the Inquisitors.

When Keara turns 12, she cannot kill Caw. And so she must flee her village, and the Inquisitors she's offended (they are not nice people, those Inquisitors). Fortunately, she finds refuge with a band of travelling actors, and begins to make a new life for herself and Caw, pretending to still be a child. The fear of being found out is always with her, and the actors themselves are in danger for sheltering her. The Inquisitors are hunting her...and they will not rest until Caw is dead, and Keara punished.

It's a very good book. The constant danger Keara's in keeps the tension humming, the relationships among the characters (and their darkbeasts) are very nicely done, and the world building, which includes a panoply of gods, is sufficiently detailed to interest, without going overboard in dotting every socio-political i.

It's a story that I think will be taken straight to the heart of girls reluctant to grow up (like me when I was eleven). The crisis of emotion that Keara, and every other child, to some degree, must face when they turn 12 is the center of the book, and it packs a powerful punch. And I must say that I really really appreciated a book in which the central girl character, though strong and determined enough, is an ordinary girl. She's not, for instance, a theatrical wonderkind, stepping into the lead roles in the plays her new community performs, though she does make a useful place for herself. She never grabs a sword to start whacking inquisitors. No handsome dude falls for her (she's still a kid). There's wish fulfillment in plenty--Keara's relationship with Caw is something that I bet many girls will envy**--but Keara is always someone who it's easy for a young girl to imagine being.

That all being said, even if you are not suffering from the angst and loneliness of adolescence, you might still really like it. Like I said, it's a good book. And even if you are a boy, you should still try it.

*I have little data to back up my feeling about the cover--just one reaction, from my grown-up friend Anamaria, of Books Together, who came over for a visit and spotted it first thing amongst the books I had out to talk to her about...And the fact that my boys, despite it being left enticingly face out for days, don't seem to have noticed it.

**hands up anyone like me who was eleven in the early eighties who really wanted a fire lizard

disclaimer: review copy very happily received from the publisher

Castaway Blobs! Number 4

Because time has been short, I have no review today. Instead, I offer another episode of Castaway Blobs!, a cartoon series that started life in the mind of my 12 year old, and became a family project. Today's episode is based on one of my husband's ideas; he feels his original version was better, but since we can't find it, here's my adaptation of it (sorry Patrick). Click to enlarge...

Horten's Miraculous Mechanisms, by Lissa Evans, for Timeslip Tuesday

Sometimes to say a book has an element of time travel in it is to spoil it...sometimes less, sometimes more. But in my quest to review every time travel book for children ever written, I forge on ahead, regardless. Sorry for any inconvenience.

So today's Timeslip Tuesday book is Horten's Miraculous Mechanisms, by Lissa Evans (Sterling Children's Books, April 3, 2012, middle grade, 272 pages). It starts with a very small boy, Stuart Horton (aka S. Horton, which is unfortunate), being forcibly moved by his parents from the town of his youth to his father's childhood home. He is not happy. The snoopy triplet girls next door (April, May, and June), don't help.

What does help, however, in a life-change, adventure-filled way, is Stuart's discovery that his great-uncle Tony was a great magician (of the stage variety sort), who disappeared shortly after World War II. His workshop, with all the miraculous mechanisms of the title, was never found.

But his uncle left a string of clues to its whereabouts...and Stuart begins to follow them, with the help of triplet April...and it's a hunt that takes the two of them deep into the town's history, and pits them against an opponent desperate to claim Uncle Tony's magic for her own.

And (this is the spoilery time travel part), there's time travel at the end, involving a quick glimpse of 19th-century stage magic. But I won't say anything else about that. It is a plot device, an interesting and exciting one that Zings with great Zing, but it is not Deep time travel, of the sort where the time travel is the gateway to much development of story and character.

Up until the time travel bit, there's nothing that couldn't happen in real life (although mostly it doesn't). It's the sort of fun, puzzle-solving mystery/adventure that is diverting as all get out to read about (in particular, I really appreciated how place dependent it was--it's the sort of book with a Useful black and white map on its boards), and the growing friendship between Stuart and April was very nicely done.


Three of us enjoyed it (both my 12 year old and my husband read and liked it lots), and I recommend it without reservation (especially to any kid fascinated by magic). My youngest son (9 years old) was the only one not taken with it--he stopped reading halfway through, because he had just read Hugo Cabret, and thought that this one "didn't reveal itself" the way Hugo did--meaning that in Horten's story, Horten can't gradually reveal things the way Hugo, who knows things the reader doesn't, can. So the straightforward progression of the mystery seemed unsatisfactory. Each to his own.

The sequel, Horten's Incredible Illusions, just came out...it is waiting for me downstairs, and I am looking forward to it!

Digger, by Ursula Vernon, wins graphic story Hugo Award

The Hugo Awards don't generally offer much for readers of middle grade sci fi/fantasy, but this year I was awfully pleased to see that Ursula Vernon, of Dragonbreath fame, won the "Best Graphic Story" award for Digger. I've been meaning to try Digger for ages; here's the blurb for Vol. 1:

"Digger is a story about a wombat. More specifically, it is a story about a particularly no-nonsense wombat who finds herself stuck on the wrong end of a one-way tunnel in a strange land where nonsense seems to be the specialty. Now with the help of a talking statue of a god, an outcast hyena, a shadow-being of indeterminate origin, and an oracular slug she seeks to find out where she is and how to go about getting back to her Warren."

The best novel Hugo award went to Among Others, by Jo Walton, which is a book that struck me as one I should love, but I didn't.

You can find the whole list of winners here at Tor.

Welcome to the first middle grade science fiction and fantasy round-up of September! Here are all the posts I found this week; please let me know if I missed yours.

The Reviews

Bridge of Time, by Lewis Buzbee, at Charlotte's Library

Cosmic, by Frank Cottrell Boyce, at The Adventures of Cecelia Bedelia

Darkbeast, by Morgan Keyes, at Not Acting My Age

The Demon Notebook, by Erica McGann, at Nayu's Reading Corner

The Dragonet Prophecy (Wings of Fire, 1), by Tui T. Sutherland, at Fantasy Literature

Eye of the Storm, by Kate Messner, at Presenting Lenore

The False Prince, by Jennifer Nielsen, at Cracking the Cover

The Ghost of Graylock, by Dan Poblocki, at Ms. Yingling Reads

The Ghost of Opalina, by Peggy Bacon, at Charlotte's Library

Gods and Warriors, by Michelle Paver, at Bookyurt

Gustav Gloom and the People Taker, by Adam-Troy Castro, at Carina's Books

The Hero's Guide to Saving Your Kingdom, by Christopher Healy, at Stacked

The Kindling, by Brayden Bell, at My Precious

The Month of Zephram Mondays, by Leslie A. Susskind, at Nayu's Reading Corner

Mutiny in Time, by James Dashner, at Cracking the Cover

The Prarie Thief, by Melissa Wiley, at Jen Robinson's Book Page

The Prince Who Fell from the Sky, by John Claude Bemis, at Carina's Books

The Princess Curse, by Merrie Haskell, at Tales of the Marvelous

Renegade Magic, by Stephanie Burgis, at The Book Smugglers

The Rise and Fall of Mount Majestic, by Jennifer Tracton, at books4yourkids

Splendors and Glooms, by Laura Amy Schiltz, at Ms. Yingling Reads

Starry River of the Sky, by Grace Lin, at Stacked and Abby the Librarian

What Came from the Stars, by Gary Schmidt, at Jen Robinson's Book Page

The Wishing Spell, by Chris Colfer, at Read in a Single Sitting

Writers and Interviews:

Jennifer Nielsen (The False Prince) at Emily's Reading Room

James Dashner (Mutiny in Time) at Cracking the Cover

Morgan Keyes (Darkbeast) at Jill Archer and An Exchange of Words

Other Good Stuff:

BBC Three will be celebrating the 200th anniversary of the publications of Grimm's Fairy Tales with interviews and readings from "poet laureate Carol Ann Duffy, Michael Morpurgo, the author of War Horse, John Agard, the poet and playwright, Philip Pullman, author of His Dark Materials, and the writer of comic fantasy stories, Sir Terry Pratchett." For more info, here's the Guardian article. [Which is correct--Grimm's Tales, as the Guardian has it, or Grimms' Tales, since there were two brothers????]

Not related to mg sff at all, but these reviews are Utterly Funny (thanks to This is Not the Six World Novel)

Of Bloggish interest:
The schedule for Kitlitcon 2012 is up! And it looks great. This is the most fun conference ever (if, of course, you are a children's book blogger. If you are a dairy farm, perhaps, not so much).

Sign ups are now ongoing for the A More Diverse Universe blog tour, which will happen Sept 23rd to Sept. 29th. "To participate, you need only read and review one book in the speculative fiction genre that was written by a person of color."

Book Blogger Appreciation Week is coming Sept. 10-14 (with no awards this year, which I think is for the best).

This week's round-up brought to you by the Poodle Moth, coming soon to a backyard near you:

The Ghost of Opalina, or Nine Lives, by Peggy Bacon

The Ghost of Opalina, or Nine Lives, by Peggy Bacon (1967), is an utterly charming cat ghost fantasy story.

It starts in my most favorite way: "Phillip, Ellen, and Jeb Finley lived in the city until young Jeb was five years old. Then their parents bought a house near the village of Heatherfield, and, in late August, they all went to live in the country.

The house was large, rambling, and very old, set down on thick soft lawns like green fur, with wads of moss under the big old trees. There were old barns, old gardens full of box, a lily pool, old-fashioned flowers and shrubs."

I love books about children moving to old houses with lovely gardens, so I was predisposed in the book's favor from the get go.

And then I met Opalina--an cat whose opinion of herself is worthy of an E. Nespit magical creature. She is the ghost of a cat who met an untimely end in the 18th century, and she manifests to the children, who are delighted to make her acquaintance. She regales them with tales of her various lives spent living in the old house, keeping a keen eye on its inhabitants, and haunting when necessary.

The book is episodic, in that each of Opalina's stories is its own self-contained unit of historical fiction, but that being said, the story of the house through time as told to its new inhabitants (who have their own difficulties to face fitting in to their new schools) makes a satisfying whole. Something of the same sort as happens, for instance, in The Sherwood Ring, by Elizabeth Marie Pope.

In addition, I was charmed (unexpectedly, cause often I don't notice these things) by the illustrations (which are the author's own). This one, in particular, tickles me tremendously:

That's Opalina, haunting the dog that killed her in comet-like form.

I highly recommend it to any reader of children's books who is both a cat lover and old house lover! I'm awfully glad it was still in my state's library system (too expensively out of print to buy--$800 on Amazon!), and thank you, those commentors who recommend it to me when I reviewed Caterpillar Hall!

Hilda and the Midnight Giant, by Luke Pearson

Hilda and the Midnight Giant, by Luke Pearson (Nobrow Press, April 17, 2012, ages eight and up, 40 pages) is another fine addition to the growing body of graphic novels with boy appeal that feature a strong girl. Yay!

Hilda and her mother live in an isolated house, high up the in the hills...but it's not as isolated as they seem. Tiny notes have begun appearing, telling them to vacate the premises immediately...and it turns out that their house was built smack dab in the middle of an town of invisible elves!

After filling out the requisite paperwork with the help of a sympathetic elf, Hilda's eyes are opened to the dense settlement around her...but will she be able to convince the elves in power to let her and her mother stay in their home without further trouble?

Complicating things is the mysterious giant who begins to appear outside, keeping a rendezvous agreed on four thousand years ago. Hilda's pluck and determination, and an unintended consequence of the gigantic visitation, bring things to a satisfactory conclusion.

Hilda's is a fantastical world--though the elves might be invisible, other strange beings are not. There's no violent action or stirring adventure--just a journey into the magical shared with the reader, involving a bit of a struggle with elvish bureaucracy, as well as the more tense encounters of with the giant, and the mystery of his purpose. The muted tones of the illustrations (most of the action happens at night) give a dream-like quality to Hilda's encounters with the magic around her.

There's nothing here not suitable for the younger reader, although thematically the upper elementary kid, even on into middle school, might appreciate it more. It captured the interest of my own older reader (and my own interest) just fine (even though I think that Hilda is not drawn as engagingly, as, say, Zita the Space Girl; but then,who is?)

Other thoughts at Jean Little Library, The Comics Journal (although the second page spread shown is from Hildafolk, Luke Pearson's first book, which looks lovely), the Islington Comic Forum ("this is a children's book for children and there's not much to be found within it's pages for anyone over the age of 12. Yeah - that sounds harsh." To which I say, "harsh" isn't how it sounds to me. More like irrelevant.)

Waiting on Wednesday--Freakling, by Lana Krumwiede

Perhaps, like me, you have a twelve-year old boy kicking around the house who is a picky reader of frustrating randomness, and you are always looking for books that might, just possibly, appeal (and books with gears on the cover seem especially hopeful). Perhaps, like me, you like stories in which children are exiled to rural communities for fantastical/science fictional reasons. Perhaps (yes, like me again), you enjoy dystopias, but are tired of the obligatory romance element.

If you answered yes to the above, I am confident that you, like me (last time I'm saying that) will look forward to Freakling, by Lana Krumwiede, coming in early October from Candlewick.

From Goodreads:

"A thrilling, fast-paced dystopian novel about the dangers of unchecked power and the dilemmas facing a boy torn between two ways of life.

In twelve-year-old Taemon’s city, everyone has a power called psi—the ability to move and manipulate objects with their minds. When Taemon loses his psi in a traumatic accident, he must hide his lack of power by any means possible. But a humiliating incident at a sports tournament exposes his disability, and Taemon is exiled to the powerless colony.

The "dud farm" is not what Taemon expected, though: people are kind and open, and they actually seem to enjoy using their hands to work and play and even comfort their children. Taemon adjusts to his new life quickly, making friends and finding unconditional acceptance.

But gradually he discovers that for all its openness, there are mysteries at the colony, too—dangerous secrets that would give unchecked power to psi wielders if discovered.

When Taemon unwittingly leaks one of these secrets, will he have the courage to repair the damage—even if it means returning to the city and facing the very people who exiled him?"

Waiting on Wednesday is a meme hosted by Jill at Breaking the Spine

Bridge of Time, by Lewis Buzbee, for Timeslip Tuesday

So this morning I had an actual time travel experience--I woke up and it was already eight thirty and we had missed the school bus, but then I really work up and had travelled back in time and it was only quarter to six. Sometimes time travel is a good thing.

For instance, as is the case in Bridge of Time, by Lewis Buzbee (Feiwel & Friends, May 2012, middle grade, 304 pages), time travel may be just what you need to help you cope with your parents' divorce, especially if you get to go hang out with Mark Twain in the past. This is what happens to best friends Joan Lee and Lee Jones. The coincidence of their names is just the tip of the iceberg of their close (non-romantic--they're in middle school still) friendship. And one horrible day another coincidence strikes--both their sets of parents announce they are splitting up.

The next school day just happens to be the class field trip, and Joan and Lee resign themselves to the boredom of yet another trip to the San Fransisco fort they'd seen a bazillion times already. But this time, they find themselves travelling back in time to 1864. Not a good year for being unauthorized visitors in a military fortification. Fortunately, the first person they meet is another person who has come unstuck in time--a friendly man named Sam Clemens (known, in the future, as Mark Twain), who gives them sanctuary.

Unfortunately, even Sam, helpful though he is, can't do anything about the violent racism against the Chinese inhabitants of old San Fransisco, and in fact there are a number of individuals who want to damage Sam in particular for his journalist work in exposing this racism. Joan, being Chinese, is in constant danger...

And on a more personal level, both Joan and Lee are deeply conflicted about going home--neither wants to go back to houses where the word "divorce" is still echoing in the air.

But unless they can fix their minds on sticking back in their own time, they'll be unstuck--passing through a multitude of various San Fransiscos (including a rather exaggeratedly beautiful Native American version). Fortunately, they each get to encounter their older selves, and are comforted thereby. But Sam is another problem--he is busily having a crisis of self-confidence, denying the future he's seen for himself as Mark Twain...

This one falls into two of my roughly delineated time travel categories--the Didactic Experience, and the Mechanism for Personal Growth. At first, what with all the attention paid to "this is San Fransisco in 1864" I found it hard to be deeply involved in the story, and was not sure I liked Joan and Lee (I got tired of the meaningful LOOKS (caps in the original) they kept exchanging). When they unstuck from 1864, the level of excitement picked up as they bounced through time, and the pages turned somewhat faster.

There's some humor, and a bit of mystery (just who is that mysterious man in black, and why is he following Sam around? Why isn't the author making more of him?), and a few mentions of pizza, enough to add a splash of middle grade reader appeal (although, perhaps, not quite enough to carry the book). And it might well resonate deeply with middle grade readers who are themselves feeling unstuck in their lives, particularly those whose parents, like Lee and Joan's, are splitting up.

If I were requiring seventh grade kids to read a historical fiction book, or if I were teaching about racism in the 19th century, I would probably put this one on the reading list. It's also the only time travel book I can think of in with a Chinese American protagonist, and I felt that Joan's experience in the past was nicely done. It's not one, though, that I'd strongly urge adult readers of time slip stories to try--it's just fine, but not desperately magical.

And having typed that, I realize that I have slipped through time again, and it is now almost seven, the bus leaves in 14 minutes, and my child is still asleep. Sigh.

Robotics: Discover the Science and Technology of the Future

Robotics: Discover the Science and Technology of the Future, by Kathy Ceceri (with 20 projects) (Nomad Press, August 2012, 128 pages) is a book that made me want to rip a greeting card apart (I've never gotten to say that before!). The ripping would be to get the little soundy thingy inside it, of course, to use in making my own rolling ball tilt sensor (another thing I never wanted to do before reading this book). And I want to take my sons to the dollar store, to buy small electronic devices to demolish, to the junk store to buy more things to demolish, and perhaps even to the hobby store, to buy things fresh and ready to use...

And the fact that it made me want to do these things is, I think, a testament to the interest in robotics that this book inspires.*

Opening Robotics and beginning to read, I was pretty much a blank slate, much more so than the ten or eleven year old, science-minded kid who is the target audience. I appreciated the introduction to the development of robots, was a tad overwhelmed by the many details in subsequent chapters on the nuts and bolts of robotics--the housing, the actuators, the effectors, the sensors, the controllers--but appreciated the many interesting sidebars (I liked seeing the binary alphabet, for instance). And, social scientist that I am, I loved the last chapter on "AI, Social Robots, and the Future of Robotics."

The projects seem fairly straightforward, and the sort of thing that a good parent would leap to assist the younger child in carrying out. The older child (ie my 12 year old) would probably be assisting me...

In short, this seems to me a pretty excellent next step for the kid whose just dipping their toes in the world of lego robotics, who might want to try their own hand at constructing their own robotic devices.

*Confession: I have never tinkered with anything involving electricity. My mother told me electricity was dangerous, and I, being a Good Child, dutifully feared it, and continue being deeply leery of it (does anyone else imagine house fires starting when electricity from faulty wiring somehow leaks into the walls??? Of course I know it doesn't, but still I look at the old, old walls of my house and wonder...)

disclaimer: review copy received from the publisher

This post is part of Non-fiction Monday, a recurring event in the Kidlitopshere. The host today is Simply Science.