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Ok. So it's a tad didactic. And the meetings with the people from the past are not integrated at all with what is happening in modern times--Paul simply experiences their stories. But at the heart of the Driftway is Lively's love for the land, and the stories it holds. This sense of past places and people makes it a book worth reading.
Paul looked out into the darkness. The silence concealed the landscape he knew: the neat, orderly landscape of hedgerows, shapely trees, hills lifted to meet sky and cloud, fields, streams, squat cottages, a landscape that seemed set and unchanging in all but the variety of season, the variety of colour and of light. But it was not. Beneath it lay all those other things: People working, fighting, dying....he imagined other eyes in other times looking at the same things, feeling the same feelings, thinking...No not thinking the same things. That would be the difference.Lively went on to write other timeslips --The Ghost of Thomas Kempe (1974), The House in Norham Gardens (1976), and A Stitch in Time (1976)--which are rather more successful at gracefully meshing different times than is the case in The Driftway. Those who love old roads, however, will find much to like here.
'You can't know how they thought,' he said. 'Not really.'
'I s'pose not, son. But we should try. We should do that.' (p 80, 1985 edition).
I enjoyed learning what this post taught me.
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