On reading various young adult books

Last Thursday, Lemonade Mouth made us late for school. Today it was The Nature of Jade. Before I became a member of the YA nominating committee for the Cybils awards, I would rise at dawn, tidy the house, pack lunches, and go out back and build a stone wall or two (Really. Not a whole wall a day, obviously, but bits). Now 6:30am finds me lounging around inside, eating the children's chocolate chip cookies and reading ya novels. Only 70 or so on the list so far, and more nominations coming in. In my defense, as well as it being my Duty to read these books, it is dark and cold outside at 6:30 these days, and if I go out there I might trip over the children's toys and hurt myself. Perhaps once we set the clocks back things will change.

Here are the books I've read this past week, which I hope I will be commenting on in greater detail sometime in the near future:

Lemonade Mouth, by Mark Peter Hughes
Twisted, by Laurie Halse Anderson
Story of A Girl, Sara Zarr
Memoirs of a Teenage Amnesiac, by Gabrielle Zevin
The Nature of Jade, by Deb Caletti
Red Glass, by Laura Resau

Here are my thoughts on the genre so far:

1. The first person present rules. Yet almost never do the protagonists say "we." Perhaps this a clever linguistic ploy to emphasise the alienation of said protagonists.

2. It is very rare to have two nice caring parents who are happily living in the same house together (I don't pretend to be discovering something new here). But really, I don't think the Betsy-Tacy books suffered from the happy marriage of Betsy's parents.

3. As evidenced by my allusion to B-T., I am generally a reader of lighter fare than is offered by many of the ya books of 2007. I believe there is Nothing Wrong with books where people are generally happy and healthy from the beginning to the end. I think that even when I was a teenager I believed this (although back then, in the 1980s, I can't recall ever reading YA books in the sense of the genre these days. Were there any?). I am wondering if there are going to be any books on the 2007 ya list that are cheerful.

4. I have boys, who, if all goes well, will someday be in high school. I am encouraged by the presence (generally as secondary characters, but sometimes main-ish) in many of these books of nice boys who are on the fringes of things but still end up relatively happy and have girlfriends. This is balanced, however, by the many horribly embarrassing/physically painful things that happen to the boys who are main characters, and sometimes secondary characters (see, for instance, Twisted).

5. So far, I've encountered two emotionally challenged fathers building model railroads in their basements. Coincidence or conspiracy?

Princesses

I don't remember having any pink glittery princess type books when I was young. Maybe things would have turned out differently. Maybe I'd have a dishwasher.

Here's an article from last Friday's Guardian on the subject.

For Poetry Friday--The Wild Carrot Field, by Susan Pendleton

I have been sorting through 20 boxes of books donated to my library booksale by the Brown University library (left over from their booksale). About a third of the books are poetry--very obscure poetry, for the most part. As I picked up one slim volume (They Will Remain, by Susan Pendleton), this picture fell out:


It is Susan.

I then read her poems, hoping I would like them. I didn't, quite, like most of them, but this one struck a chord--it is the best poem about weeding I've ever read:

The Wild Carrot Field

Sun browned field,
Wild carrots dipping;
My task to pull them
While the minutes go slipping.
In beauty bending,
Nodding in grace
Shimmering, pestilent
Queen Anne's lace;

Two thousand, three thousand
Grime and stain.
Last year, this year,
Next year again.
Some folks pity,
Seeing me bend.
"She has taken a task
That will never end."

Yet there comes strangely,
Plodding like this,
Almost hopeless,
Some hint of bliss.
Red sun slanting,
Shadows so fair!
I pause to worship
With head bare.

Wiping the sweat
With torn sleeve.
(There is a heaven
I do believe.)
Colors deepen
With shadowing.
Beauty holds me
Imprisoning.

Little wind blowing
Sets the lace shaking.
Loveliness here
For a heart breaking,
Let me continue,
Six, seven-
If I stop too sudden
It might snap heaven.

Susan Pendleton was born in Connecticut in 1870. Her poems haven't been widely published--this anthology was compiled in 1966 and privately printed.

The Poetry Friday Round Up is at Two Writing Teachers this week

AA Milne Appreciation

For the first time as far as I can remember, which isn't necessarily that far what with one thing and another, my children laughed at a book I was reading to them so hard they choked and gasped and wheezed. Sure, there have been chuckles, giggles, and smirks in the past (the "pig bums" spread in David Wiesner's The Three Pigs, for instance), but this was the first time there was real laughing.

It was not my intention to amuse. I was taking my 7 year old to bed, and picked, almost at random, the copy of The House At Pooh Corner that had been my mother's when she was a child-- no disneyfication, not even color-added illustrations, and much, much rattier than the one shown. The story I chose was Chapter 3-- "In Which A Search is Organdized, and Piglet Nearly Meets the Heffelump Again." The buildup is amusing but longish; it's worth it in the end when Piglet becomes Utterly Flustered (and 7 year old becomes Completely Hysterical).

The next night it was my turn to take 4 year old to bed, so I tried the same story on him. Same result. We had to go across the hall and read it again to his brother and father, and the boys were still quoting it in the car this morning and chuckling over it.

It is possible that part of the humor came from my masterful reading. We had, earlier this month, been listening to Judi Dench read Pooh, which gave me a few tips. I had been putting off reading Pooh to the boys, because I wanted so badly for them to like him. Judi broke the ice for us, and now we are off and running.

But the bulk of the credit, in all seriousness, goes to AA Milne, whose writing I adore. I especially like the Capital Letters. My grandfather read us the Pooh stories over and over again, and every time I re-read them, I find turns of phrase that have become naturalized in my own speech.

I have one book of Milne's biographicalish essays (Year in, Year out), and I'd like more. I also enjoy his fantasy story, Once on a Time, which is a good read for a nine/ten year old, or a non-cynical older person.

But Pooh, is of course, the best, and I have carefully shielded my children from the Disney version so that they would not be prejudiced against the Real Thing (they aren't going to watch The Seeker either).

So anyway--go find the House At Pooh Corner, read your child Chapter 3, and see how much they laugh. It would be good, but not entirely necessary, to have read the first Heffalump story, Chapter 5 in the first book, Winnie-the-Pooh. Here's my favorite bit from that story:

And all the time Winnie-the-Pooh had been trying to get
the honey-jar off his head. The more he shook it, the more
tightly it stuck. "Bother!" he said, inside the jar, and "Oh,
help!" and, mostly, "Ow!" And he tried bumping it against
things, but as he couldn't see what he was bumping it against,
it didn't help him; and he tried to climb out of the Trap, but
as he could see nothing but jar, and not much of that, he
couldn't find his way. So at last he lifted up his head, jar
and all, and made a loud, roaring noise of Sadness and Despair
. . . and it was at that moment that Piglet looked down.

"Help, help!" cried Piglet, "a Heffalump, a Horrible
Heffalump!" and he scampered off as hard as he could, still
crying out, "Help, help, a Herrible Hoffalump! Hoff, Hoff, a
Hellible Horralump! Holl, Holl, a Hoffable Hellerump!" And he
didn't stop crying and scampering until he got to Christopher
Robin's house.

I wish I could go...

On November 4th, all of these authors-- Jeanne Cavelos, Kristen Britain, Jana Paniccia, Julie Czerneda, Patricia McKillip, Sarah Monette, Delia Sherman, Elizabeth Bear, David Lunde -- will be at at the Flights of Fantasy Bookstore, in Loudonville, NY.

I would love to meet Patricia McKillip. I was just re-reading her Riddlemaster trilogy in my head while sawing wood yesterday (nothing like mindless manual labour for revisiting favorite books). I continue to hope that the release of the two books in her Cygnet series means a third is coming...

Tips on Having a Gay (ex)Boyfriend

Tips on Having a Gay(ex)Boyfriend, by Carrie Jones (2007, 278 pages).

It comes as no surprise to the reader that a few pages into Tips on Having a Gay (Ex)Boyfriend, Belle's boyfriend Dylan isn't anymore. Common enough subject matter for a young adult book. But it is a surprise to Belle that he is gay--that the loving and intimate relationship* they had, and her picture of herself, must now be questioned, doubted, and reimagined.

The book describes the week that happens next. The author has a lot to work with--the loyalty of friends, the trickiness of memory, the cruelty that can lurk inside ordinary people, the fear of being different, the fear of seeing someone you love hurt (physically), the fear of being hurt yourself, etc. Carrie Jones manages to keep all these balls in the air and not let them get in the way of what, to me, felt like the main story -- Belle falling in love again, with Tom, one of the hottest guys I've ever met in a fictional high school. It is not that Jones diminishes the importance of the big issues dealt with in the book, but that she is able to let Belle, and to a lesser extent Dylan and other characters, be people, not Issues on Legs.

This book is written in the first person present, not generally my favorite. In part this is because I often can't remember the name of the main character after I finish the book. And the present tense often grates on my introverted ears, because it assumes that the reader is right there along with the characters ("we drive along the highway"), and unless I am deeply engrossed in a book, I'm not driving anywhere with these people. (aside--do other introverts distrust the forced intimacy of 1st person present?)

Not a problem in this case. Jones is so very good at using input from all five senses that Belle becomes a person for whom I can suspend my disbelief. I think it also helps that the book only takes a week (their time). So there is time for the writer to create for Belle the details and nuances and flickerings of different feelings that real people experience, without having to say, "A month later, there I was, dramatically changed."

Belle isn't, in fact, dramatically changed. She's a bit sadder, a bit wiser, but still a sweet idealist. I hope that she and Tom have a lovely relationship in the coming year, and that they get into the same colleges. And I hope that Dylan and his boyfriend have a nice year together too--I can't imagine them having a longer future together than that...but I can imagine other futures, with other boys, for Dylan.

Which just goes to show how real these people seemed to me, for crying out loud.


*viz the sexual content--not quite as explicit as in Judy Blume's Forever, but strong stuff. My eyebrows rose.

A Guest Columnist for Poetry Friday

I turned this over to my husband this morning, having left the poems I wanted to talk about at home. Welcome, Patrick.

Charlotte and I were discussing why the poetry in Jack Prelutsky's Scranimals is such a letdown. Inventive to be sure (bananaconda, porcupinapple), but dull. I think it's because he has no confidence in his readers, so feels the need to insist that the rhyme scheme structure the reading of the poem. How does he do this? With too many commas. See how commas can straitjacket your voice:

The comma's the curse,
of children's verse,
leaving no choice,
for the speaking voice,

to sail o'er the chasm,
no, they make us spasm,
odically bumble,
gripe, grizzle, and grumble.

(Charlotte: This is by Patrick, not Prelutsky, incidently)

(Now remove the bulk of the commas and re-read it. It doesn't improve the poem (what could?), but it does grant the reader interpretative freedom of a sort.)

I prefer the semantics to the metrics of rhyme: a series of rather magical coincidences that confronted the rational mind with hitherto unperceived and outrageous comparisons; a bit like Magritte. Hammer the rhyme scheme home with neon nails and you have doggerel. Bossy old commas.

When we were kids in Liverpool we chanted Blake's "Tiger, tiger" like the Shipping Report:

Dogger, Fisher, German Bight,
In the forests of the night

Then one day I heard it read as "burning bright in the forest of the night." No comma, no pause.

So I don't mind rhyme. Auden rhymes. Charles Causley rhymes. Shakespeare sometimes rhymes. Yet neither compel the speaking voice to bang along on the desk with a big stick. I know, I know, speaking poetry is difficult. Here's an awful reading of Tiger Tiger.

Ok, now here's a poem our 7 year-old likes*, from Charles Causley's Figgie Hobbin:

I Saw A Jolly Hunter

I saw a jolly hunter
With a jolly gun
Walking in the country
In the jolly sun.

In the jolly meadow
Sat a jolly hare.
Saw the jolly hunter.
Took jolly care.

Hunter jolly eager-
Sight of jolly prey.
Forgot gun pointing
Wrong jolly way.

Jolly hunter jolly head
Over heels gone.
Jolly old safety catch
Not jolly on.

Bang went the jolly gun.
Hunter jolly dead.
Jolly hare got clean away.
Jolly good, I said.

Charlotte here: So much from trying to shield our little boys from GUNS.
Patrick here: As our 7 year-old would say, "Self-to-text reference!": I first heard Causley in a folk club in Liverpool; or rather, I heard his much-anthologized poem Timothy Winters sung. I'm surprised Loreena McKennitt hasn't plundered his oeuvre yet.
He was in the Navy in WWII, and one collection of poems was named Union Street, after the red-light district of Plymouth, much frequented by sailors on leave. My Mum lived on Union Street for more than 20 years, but always omitted those two words from her address. The shame! (Charlotte here--she still managed to get mail).

Informative aside (from Charlotte): Charles Causley (August 24, 1917 – November 4, 2003) was a Cornish poet and writer. He wrote several books of poetry for children, of which Figgie Hobbin (1970 and many subsequent reprints) is perhaps the best known.


Here's what W. H. Auden thought of him "Causley stayed true to what he called his 'guiding principle'....while there are some good poems which are only for adults, because they pre-suppose adult experience in their readers, there are no good poems which are only for children." (quoted in the 2005 edition of the Norton Anthology of Children's Literature, p 1253)." (thanks, Wikipedia).

*Charlotte here again--actually, our 7 year-old likes Prelutsky just fine too.

The Poetry Friday Roundup is at Whimsy Books today!

Ralph Masiello's Egypt Drawing Book

One of the cool things that has resulted from this blog has been getting to know Ralph Masiello, aka "The Icky Bug Man." A while ago, I tried out his lovely Dragon Drawing book and posted about the experience, he left a long and friendly comment, and recently he emailed me pictures of some of the art from his upcoming book, Egypt Art (due out from Charlesbridge next July). I also just got my own copy of the cover art. It is lovely:


I am selfishly pleased with the subject and age level (it's aimed at 7-10 year olds), because it will make a perfect birthday gift for my son's 8th birthday (he is saving his allowance to go to Egypt. Only a few thousand dollars more to go).

Do not forget that there is a Dragon Drawing Contest going on over at Charlesbridge--details here.

Shannon and Megan part 2

Anyone who cares has probably figured this out for themselves, but part 2 of Shannon Hale and Megan Whalen Turner chatting is now up here!

Camel Rider, by Prue Mason

Camel Rider (Charlesbridge, 2007, 202 pp) is the debut novel of Australian writer Prue Mason. I'm a fan of the "children surviving on their own in difficult circumstances" genre, so this book was right up my alley. Two boys-- Adam, a privileged Australian, and Emir, an enslaved camel rider from Bangladesh-- must survive an arduous trek across an Arabian desert with nothing to speak of in the way of survival equipment, all the while pursued by hostile adults. As well as becoming keenly engaged in the plight of the boys, my interest was sustained by the setting and situation--the only other book I can remember reading about a boy in Arabia is King of the Wind, by Marguerite Henry (which, incidentally, is a lovely book). Camel Rider is a real page turner--I couldn't put it down.

A central theme of the book is the difficulty of communicating across cultural and linguistic barriers. The story is told from the perspective of both boys (although primarily from the point of view of the Australian), so the misunderstandings are clear, as are the growing dependence of the boys on each other, and their increasing camaraderie.

Prue Mason, in her afterword, writes: "I learnt that when people from different cultures meet, they often don't rust or respect each other, and there can be many misunderstandings that can even lead to war. But after having lived and made friends with people from other nationalities, I know that no culture is better than another; we just do things differently." This is fine if you think of this statement in terms of Adam and Emir's relationship, and watching the two boys growing to respect each other is a fine thing. It gets a little tricky when the bad part of Emir's world (slavery, physical abuse, the treatment of women) is so much clearer to see than the bad part of Adam's world (the sense of entitlement and privilege, the ignorance of other cultures). It would not be hard for a child to leave this book with a mind full of negative thoughts about "Arabic culture," in contradiction to the author's statement above.

In short, this is an engrossing page turner, that I would cheerfully recommend to middle grade readers who want their eyes opened to a different part of the world, as long as they have a chance to talk about it with an informed grown-up! (Charlesbridge has a discussion guide on line to facilitate this).

nb: I recieved my copy of this book from the publisher.

The House on Mayferry Street, by Eileen Dunlop

The first Monday of the month is Wicked Cool Overlooked Book Day over at Chasing Ray, and so I bring you one of my favorite books: The House on Mayferry Street, by Scottish writer Eileen Dunlop (UK title A Flute in Mayferry Street, American edition 1977, recommended for 10-14, or even older...).

There are some children's books that, if you read them for the first time as an adult, seem dull and insipid, yet you know that if you had read them when you were younger, they might have had magic to them. This is not the case for The House on Mayferry Street. I read it for the first time three years ago, and thought it one of the most magical (in the non-spells and fairies meaning of the word) books I've ever read.

The house on Mayferry Street, in Edinburgh, is the large, old, partly empty family home of the Ramseys, 11 year old Colin, his older sister, Marion, and their mother (as well as two tenants). Soon after their father died, a few years before the story begins, Marion was hit by a bus, and now uses a wheelchair. But she won't go out in it, and sits at home, growing increasingly depressed. An old letter from 1914, found while dusting the family bookshelves, brings the first glimmer of interest to her mind for months. When an old picture of a young man in uniform is found in a crack in the floorboards, Colin and Marion begin a quest for answers about the two young men whose story seems to be hidden in the old house. As the quest progresses, the past and the present begin to merge, and the music of a lost flute begins to haunt the house. In the end, Colin and Marion find all that they were looking for.

The supernatural elements, although central to the plot, never overshadow the beautifully drawn characters. They are lovable, but allowed to be imperfect and become furious with each other, and to learn from their mistakes. Edinburgh, Mayferry Street, and the house itself are never "described" in a "here is the description" way, but they become real places in the reader's mind. The mystery (leaving out the slippery-ness of time), is perfectly believable. And there is a smidge of romance at the end, for suckers for sentiment like myself.

Here's another blog review of it, just to show that I'm not alone!

Libraries all over America seem to have bought this book when it came out, just when I would have been the right age for it. Why didn't I read it then???? I would have loved it so very much. But if you haven't read it, it is not too late--all those libraries have now discarded it (except my own, because I keep checking it out), and so you can pick it up on line for a few bucks. It was reprinted in the UK as a paperback in 2000, so is quite available over there.

Eileen Dunlop also wrote Elizabeth, Elizabeth (UK title Robinsheugh), a time slip story that scared me somewhat when I first read it at the age of 8, but which I appreciate more now, as well as many other fine books.

Jen Robinson is rounding up other overlooked ones here. Enjoy!

Robin McKinley has another novel coming out!

So after checking on Megan and Shannon, to see how they're doing (see below) I go over to Robin McKinley's blog and read that she HAS ANOTHER BOOK COMING NEXT FALL! It's the Sept. 28th entry, and it is very very interesting reading, all about the book writing process.

Megan Whalen Turner and Shannon Hale

Over at Shannon Hale's blog, she's chatting with Megan Whalen Turner. Part 1 of 3(!) is up. Two favorite authors of mine discussing plotting, criticism, and life.

And incidentally, doesn't Book of a Thousand Days (Shannon Hale's new book) have the loveliest cover?

Nominations for the Cybil awards are being accepted starting today--just go here

Here's the Official Press Release:

BOOK BLOGGERS KICK OFF KIDLIT AWARDS' SECOND YEAR

“ Will Harry Potter triumph among critical bloggers? Will novels banned in some school districts find favor online?

With 90 volunteers poised to sift through hundreds of new books, the second annual Children's and Young Adult Bloggers' Literary Awards launches on Oct. 1 at http://www.cybils.com/. Known as the Cybils, it's the only literary contest that combines both the spontaneity of the Web with the thoughtful debate of a book club.

The public's invited to nominate books in eight categories, from picture books up to young adult fiction, so long as the book was first published in 2007 in English (bilingual books are okay too). Once nominations close on Nov. 21, the books go through two rounds of judging, first to select the finalists and then the winners, to be announced on Valentine's Day 2008."

I am very pleased and proud this year to be one of the above-referenced 90--I'm a nominator for the ya category, with a team of wicked cool bloggers:

Category Organizer: Jackie Parker (Interactive Reader)

Nominating Panel:

Stacy DeKeyser
Trisha (The YaYaYas)
Anne Heidemann (Librarianne)
Charlotte Taylor (Charlotte's Library) --me.
Becky Laney (Becky's Book Reviews)
Eisha (Seven Impossible Things Before Breakfast)
Jackie Parker (Interactive Reader)

Judging Panel:

Liz Burns (A Chair, A Fireplace & a Tea Cozy)
Jennifer Laughran (Not Your Mother's Bookclub)
Sarah Miller
Maureen Kearney (Confessions of a Bibliovore)
Jen Robinson (Jen Robinson's Book Page)


And another thing about this whole Cybils business--aren't there a lot of great blogs out there to visit? It is hard to keep up. For instance, I just saw at Sarah Miller's blog that she has "not exactly a contest" going on to win an ARC of A Curse as Dark As Gold, by Elizabeth C. Bunce. Not that I actually want anyone else to enter, or anything, but letting you know just proves how beautifully unselfish I am.

A taste of life in the children's book world

In my daily life, I am an archaeologist. When I tell this to people, invariably they will say, "Oh how cool! I always wanted to be an archaeologist when I was a kid!" or some such. And I smile and nod, pitying the naive enthusiasm of the speaker, and resisting the urge to say "most of it's boring." I have done things archaeological that were not boring, digging around the world, but at the moment I have a desk job. (If you want to learn more about my life as an archaeologist, you can check out the October issue of Dig Magazine).

Well. The tables were turned on me last night, when I found myself at the children's book dinner at the meeting of the New England Independent Booksellers Association. There I was, a mundane archaeologist, surrounded by really cool and famous people who write and publish and sell really cool children's books! Listening to famous authors and illustrators talk! (Natalie Babbitt, Helen Lester & Lynn Munsinger, and Jerry Spinelli). Taking home a bag of books as party favours! It was one of the best evenings I've had for ages, certainly much more interesting than your average archaeology conference.

This is how I ended up there. A while ago, Charlesbridge Publishing sent me some books to review (Wiggle and Waggle, and Ralph Masiello's Dragon Drawing book, both of which continue to be in demand at our house), and Ralph and I have emailed back and forth about his new book (which deserves its own post, so stay tuned). Knowing that I'm based in the Providence, RI area, and that Ralph was also going to be there, Charlesbridge invited me to be their guest for this dinner. Thank you, Charlesbridge!

I do, of course, realize that real life in the children's book world is probably not all fine wine and salmon and funny speeches and bags of beautiful books to take home. And my job isn't that boring. But still, it sure was a nice change, and I blush to admit that I did say to one book store own, "Oh, it must be so cool to have your own bookstore!" The moment I said it, I could sense her pitying my naive enthusiasm, but one just can't be a cynical realist all the time.

For Poetry Friday-- Burma

I have been thinking, and hoping, and praying for the people of Burma. So for Poetry Friday, here are some poems from and about Burma.

First, a poem from from the English colonial period. Kipling's "The Road To Mandalay" was the only poem about Burma that came into my head without help from google. As is so often the case with Kipling, the writing is superb, the images intense, and the blatant colonialism disturbing. Here's the first verse:

By the old Moulmein Pagoda, lookin' lazy at the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say;
"Come you back, you British Soldier; come you back to Mandalay!"
Come you back to Mandalay,
Where the old Flotilla lay;
Can't you 'ear their paddles clunkin' from Rangoon to Mandalay?
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!

You can read the rest of the poem here.

Second, a poem from the dictatorship. I found this at the New Republic website, in the UPDATES FROM THE WORLD'S TYRANNICAL OUTPOSTS- Today in Despotism column from November, 2005

"Meanwhile, art and politics merge, as always, in Burma's poetry. The following verse honors the "13th Myanmar Traditional Cultural Performing Arts Competition in progress." The author is concerned but defiant:

If Our Walls Encroached

Our Myanmar nationalistic character
Intended to be strengthened, with a
wall of culture
Is reinforced unfailingly each year
It has been 13 years by now.
It'll be a world village, it'll come
And if with the bravado spirit
We are complacent, and they encroach
Work to multiply the weeds within
That sly bunch of dirty minds
They are there, we know.
Come, come along
Those that are there, the many weeds
Even those between the walls, will
wither
And vanish--just remember.

Experts in Burmese poetry advise that the final two words be read in an urgent whisper."

But what the poet/government might not realize, is just how strong weeds can be, and how hard they are to uproot. Especially weeds like hope.

I then found the Burma Digest, a journal of human rights in Burma. This link will take you to an older website, where you can read many tragic, stirring, and hopeful poems from the side of the oppressed.

Here's one that caught my eye:
Welcome to the Final Phase of Myanmar's National Convention

A nation with rising illiterates
Sponsoring the so called
‘National Convention’
It must be an invention
To go with a newly redoing of Burma’s
Ancient tradition
The transition from Pyinmana
To Nay Pyi Daw
If you own a brown mask or a bright costume
You must be the right candidate to participate in the
Masquerade for the next Myanmar’s National Convention
A bright costume to cover up your iron fist and bloody gun
A brown mask to hide your pale courage and ignorant mind
Make sure to brush your teeth with black market toothpaste
The only kind available in Burma at this time
For they surely do not need beetle nut stains
On their hall of gleaming bright shame

May K Ng, May 2007


The Burma Digest site is now here. The last entry states simply that the entire internet in Burma has been shut off.

The Poetry Friday roundup is here, at amoXcalli.

On shopping at library book sales

In a comment on the Carnival post of yesterday was the following request for help:

"You're the president of your Friends of the library group, so you seem like the ideal person to ask. This week our city's library is going to have a $3 bag sale on over 60,000 used books. I plan to hit the children's literature section and was wondering if you could offer any tips on how to peruse the books, so that I don't end up wasting time and money on twaddle. Also, besides keeping an eye out for Leo Polleti (spelling?) and Tomie De Paola books, do you have any other suggestions for books?"

My question: what city is this, and is it within reach of my house?

Here are my tips:

1. This book sale is going to be a mad house. If you are a regular patron, you could call up the Friends group today, and ask if they need help setting up tomorrow. Then you can cast a quick eye over the children's section, to see if there are any must haves. There will be a long line on the day of the sale. You can get there two hours early, and be part of the mad dash, or just accept that you won't be the first to see the books. Try to find out before the doors open where exactly in the room the children's books are going to be, so that you can go straight there.

2. Bring your own canvas bags. Don't waste time at the door fumbling for plastic bags that might rip.

3. Many books at library book sales look good on the outside, but are cruddy on the inside. You will not have time to look at each one at first! Grab what strikes your fancy, stuff it in your bag, and keep on until you've at least glanced at the whole section. Then find a "peaceful" place and check the books you've snagged, putting any you don't want neatly away in the right section (please please please). You should then do another perusal of the books, more calmly this time.

4. You ask what books to look out for, which is a tough one. I'm assuming you want them for yourself and your family, so it really depends on how old you all are and what you're interested in. Anything that's won a Newbery or Caldecot award is good, and the gold and silver stickers are easy to spot. However, if you want to really score, try to find the Newbery winners without the sticker!

But I'd suggest just going with the flow, and picking up anything that catches your eye. At $3 a bag, you're not going to go far wrong. And there are many many great books out there that didn't win awards, and which are languishing in undeserved obscurity. You may find some wonderful books that are pretty much unknown. At this price, don't turn up your nose at ex-library books. These were chosen for the library for a reason, and kids don't care if books are in mint condition or not (and anyway, they don't stay mint).

5. You might also consider offering to help clean up the books at the end of the sale. There is always good stuff left over, and it's generally free at this point. However, I've noticed that many libraries are now making blanket arrangements with charitable organizations to have all the books taken away in one fell swoop, which is fine for the library, but not so good for people who want free books.

6. If you still have time and energy on your hands after looking at the children's books, you could look around the rest of the sale for books to take in to your local used book store for trade credit (which is about twice as much as they would give you in cash). Look for unusual-ish non fiction, and beware of book club editions.

I hope this advice is useful! Anyone with more advice, please share it!

TAKE A RIDE ON THE READING RAILROAD--The September Carnival of Children's Literature

Today you're invited to Take A Ride on the Reading Railroad, where you'll find links to great books and blogs. Enjoy!




An important part of planning any long train trip is deciding what books to take. For this journey, you pick Book Of A Thousand Days by Shannon Hale ( Becky's Book Reviews), Eclipse by Stephanie Meyer (Jen Robinson's Book Page), Chasing Vermeer (A Wrung Sponge) and finally, Harry Sue by Sue Stauffacher (Read, Read, Read ).

When you arrive at the train station, what do you see across the street but a used bookstore you've never been to before- Under the Radar Books. You check your watch- plenty of time. And it was worthwhile --lots of great books on the shelves courtesy of Semicolon, and an old favorite by Mollie Hunter (Charlotte's Library).

There's the train pulling in. Time to board the Reading Railroad! The conductor shows you to your seat, and as you get settled, she hands you a book--A Child's Delight (From Here In the Bonny Glen). "With the compliments of the Railroad," she says, and turns to the next passenger, a woman with a tiny infant. She hands them a different book-- "It's never too early," she says. "We give this book, Foggy Cat, to every baby on board (A Typical Life).

As you take your seat, you notice a complimentary Train Newspaper. The bag of books next to you must wait while you read the fabulous articles --there's an interview with Helen Dunmore (Big A little a) , there's an introduction to Whoopeekiddies.com (A Meeting Place for All Home Office Women ), and a fun book cover meme to play--"Who's writing a children's book about YOU?" (Trinity Prep School). You learn that Banned Books Week is September 29 - October 6! (Critic's Corner), and that L'Engle tops the list of Top 10 Authors who got rejected 26 Times (Sam Riddleburger). And you read with great amusement Grapefruit Moon and Other Stories posted at Saints and Spinners in the letters section.

There are also reviews of books new and old. Some of the books you've never heard of -Home of the Brave, by Katherine Applegate (Literary Safari), and a very intriguingly titled picture book called The Fabulous Bouncing Chowder, which turns out not to be about soup in the hands of a 2 year old (Wild Rose Reader). And you meet old friends again-- In Praise of the Rabbit (Zucchinis in Bikinis), and Harry Potter and the Deathly Hallows (Eclectic Commons).

And on the last page, there's an original story about Sputnick, seeing the light of day for the first time (here and here) (Bartography).

On the train is a child who's learning to read; without being too obvious, you peer over to see the book-- Hey Tabby Cat! , from the Brand New Readers Series(Adventures in Daily Living). Looks good. A grandmother pulls out book after book for her dear grandchildren--"These are 10 Children's Car Books I Love," she says. (Ask Patty-Automotive Advice for Women). But all the children soon turn their attention to a woman retelling Johnny Appleseed with a silly read-aloud twist (Little Blue School)

Feeling a bit restless, you decide to walk along the train, only to find there's a book store car! You scoop up 10 Minutes 'Till Bedtime, and admire The Beautiful World of Jan Brett (Mommy Auctions ). And then you grab 25+ Great Science and Nature Books for Five to Eight Year olds (Chicken Spaghetti) --they look too good to pass up. You add The Down To Earth Guide to Global Warming (Natural Family Living Blog) to your stack, and stagger out of the store. As you leave, you chuckle to hear a small girl bewailing the sad consequences of too much maternal book buying (Karen Edmisten).

A little further on is the lounge car. As you enter, a video begins to play on the large screen at the end of the car--your eyes are drawn to "An Abundance of Kidlit Goodies" (A Fuse #8 Production).

After curling up in peace with your books for a while, the train slows down. Your books seem to have made themselves at home, and as you are burrowing under your chair, the conductor appears with a final amenity-- a large empty box. Clutching the now full box to your chest, you climb down onto the platform.

An elderly gentleman approaches, and hands you $200. "You passed GO!" he says. "Time to buy more books!"

"But I have books..."

"Never enough," he answers, and heads over to the next passenger.

You notice that the walls of the station are plastered with signs advertising bookshelves, carpenters, and promises such as "House Collapsing? We can help!" and "We'll build you a bookery out back." Now you know the secret behind The Reading Railroad. It is all a plot.

I hope you've enjoyed your ride on the Reading Railroad! Thanks to everyone for their contributions, and thanks in particular to Melissa of Here in the Bonny Glen, the mastermind behind the Carnival of Children's Literature!

Misc. announcements

The current issue of The Edge of the Forest is up and running for your reading pleasure. This is a monthly online journal of children's literature, well worth visiting if you haven't already.

The Cybils are coming! Nominations for your favorite books of 2007 open on October 1! I am tickled as all get out to be involved this year, as one of the ya fiction nominating panel.

The New England Independent Booksellers Association is meeting in Providence, RI at the end of this week. There's a Children's Books Author/Illustrator Dinner (sponsored by Bookazine) on Thursday night (the 27th, from 6-10, Westin Hotel, advance ticket required). The guest speakers include

Natalie Babbitt Jack Plank Tells Tales, Scholastic,
Helen Lester & Lynn Munsinger The Sheep in Wolf's Clothing, Houghton Mifflin and
Jerry Spinelli Love, Stargirl, Knopf.

I'm going to be there, feeling rather shy. Anyone else?

And finally, watch this space for the September Carnival of Children's literature, which should be up this evening or tomorrow morning...d.v.

Well, if it gets people reading, maybe it's ok

From today's Guardian, via Fidra Books:

News that Jordan's contribution to the world of fiction, Crystal (159,407 sold and counting), is outselling the whole of the Booker shortlist (120,770 in total) might cause a shiver of alarm in some quarters. But to devotees of the fast-growing genre of celebrity novels, it comes as no surprise.

.

On a more positive note, I also read in Fidra's blog that Fidra is opening a children's bookstore in Edinburgh- there's a call out to "any children’s authors reading this who are willing to come and do a reading/signing in Edinburgh." It's a lovely city--if I were a children's author, I'd sign up.

It is bad to send books to the landfill

I have a burial site in the woods behind my house, a place where I take dead books--random encyclopedia volumes, water-damaged novels of yesteryear, corpses of books no one wants, even for free. They come my way because I run my local library's book sale, and there I am, with all these books on my hands. Our local landfill is filling up fast, my town is dumping too much trash-weight, and the books are heavy. So I bury them out in the woods. Wood pulp to wood pulp.

I could be making art out of them.



For more of artist Brian Dettmer's "book autopsies" you can go here.

Robin Mckinley has a blog!

For those of you, like me, who have visited Robin Mckinley's website and stared sadly at the new news that isn't there very often at all, there is good news--she has just started a blog.

Trains for Poetry Friday

In honor of the upcoming Carnival of Children's Literature--Take A Ride on the Reading Railroad! (please see the post just before this one to hop on board) I have train poems today for Poetry Friday.

Here's an old favorite:

Travel, by Edna St. Vincent Millay (from Second April, 1921)

The railroad track is miles away,
And the day is loud with voices speaking,
Yet there isn't a train goes by all day
But I hear its whistle shrieking.

All night there isn't a train goes by,
Though the night is still for sleep and dreaming
But I see its cinders red on the sky,
And hear its engine steaming.

My heart is warm with the friends I make,
And better friends I'll not be knowing,
Yet there isn't a train I wouldn't take,
No matter where it's going.

Here's another I like, by Edward Thomas

Adlestrop

Yes, I remember Adlestrop--
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.

The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop - only the name

And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.

And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.

Aldestrop actually looks like a place I'd like to go.

Here's a new one that tickles me, from a webpage of collected Train Haiku etc

on the train
my usual thoughts
about derailment

- John Stevenson (who I think is this John Stevenson.

And finally, here's a link to one of the more famous train poems, the Night Mail, by WH Auden--
"This is the Night Mail crossing the border,
Bringing the cheque and the postal order"

And now I have that wretched Thomas the Tank Engine song in my head-- "hear the sound of the night train, the clickety clack of the night train..." Speaking of Thomas, there's a list at Amazon called "Beyond Thomas: Train Fiction and Poetry for Young Children." There's some good stuff on it.

There is also lots of good stuff at the Poetry Friday Roundup today, hosted by Sara at Read Write Believe.

ps: One more family favorite train poem, by Scotland's inimitable poet, William McGonagall.

Here's the opening of The Tay Bridge Disaster

Beautiful Railway Bridge of the Silv'ry Tay!
Alas! I am very sorry to say
That ninety lives have been taken away
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.

The bridge collapsed in 1879, not long after McGonagall had written a poem in its praise. Here's a link to the full text of this truly memorable poem.

The Train to the CARNIVAL OF CHILDREN'S LITERATURE leaves at midnight

TAKE A RIDE ON THE READING RAILROAD: Call for submissions for the September 2007 Carnival of Children's Literature


Take a Ride on the Reading Railroad here at Charlotte's Library when the September Carnival of Children's Literature comes to town!



If you'd like to hop on board, head on over to BlogCarnival and link up your posts.

The train is leaving TODAY, Friday, Sept. 21 at midnight eastern time, arriving at the beginning of the following week (unless there's a cow on the line). So get your links linked early and often!

If you haven't been part of a Blog Carnival before, do not be put off by feelings of shyness and uncertainty. It is very easy-- you just create a link to your favorite post from the past month or so, and slip it into a slot at the Blog Carnival website.

Here are some links to past carnivals: the very first one, at Here in the Bonny Glen (Melissa is still the carnival organizer--thanks, Melissa!) The most recent one, here at Po Moyemu--In my opinion, and the one before that at Saints and Spinners.

Thanks!

Science Detectives: How scientists solved six real life mysteries

I have the sort of child who says, "Mama, can you tell me the story about Rachel Carson and DDT again?" I've got the DDT story down pat, but I'm a bit chagrined about how few other science stories like that I know. Hence my great pleasure in finding at the library a very fun book called Science Detectives: how scientists solved six real-life mysteries. It's written by the editors of YES magazine, illustrated by Rose Cowles, 2006, 48 pages, recommended for ages 9-12, but good for reading out loud.


There's more in this book than the title would have you believe-although there are six main stories, that get told in several pages, there are also quite a few smaller one page stories, extra explanatory paragraphs, and science activities to do at home. The science stories include the story of Typhoid Mary, the vanishing vultures of India (almost as good as the DDT story, but without, as yet, the happy ending), the Ice Man, and others. They are illustrated with mainly with cartoonish paintings, which keeps the tone light, although some real photos are included. Both male and female scientists are represented, although there are more men.

I've sometimes felt that non-fiction books for kids have a tendancy to go overboard on the "fact-bite" sidebars etc., making the books tricky to read out loud. Although there are sidebars in this book, there is a great deal of narrative cohesion to the stories themselves, so that they are, in fact, stories--they can be read aloud very nicely.

I like this book lots-- the story telling is crisp, the material very, very interesting, and the pictures are harmless enough to me, amusing to the children. We started reading it last night, and I was begged to finish it in the car on the way to school.

Two negative notes:
1. The book would have been improved by a bibliography, or at least suggestions for further reading.

2. A while ago there was a bit of chat in various blogs about the image kid's have of "the scientist"--the majority draw a white man in a white lab coat in a lab with test tubes. The cover of this book shows that guy, but also a dark skinned woman in a lab coat etc. which I suppose is something. What pictures there are of scientists inside the book show them outside of a lab (although one guy is wearing surgical scrubs--he's working with the ice man), but the one photo of a woman scientist is a posed formal portrait, so this book isn't going to dispel many visual stereotypes.

Owly

A few days ago, I posted about the floods of tears I found myself in while reading about the death of a honey bee to my children. Yesterday, I'm pleased (I guess) to report that my older son had a similar experience, crying over a book for the first time (it's not that I want them to be sad, per se, but I think it's important to learn that crying over books is ok). And the book that provoked this reaction--another graphic book, one of the sweetest, most poignant books I've read (if one can "read" a book that has no words) --- Owly-- The Way Home and The Bittersweet Summer, by Andy Runton (2004).

These are two separate stories, about an owl's desperate need for friends. I was just looking at the first few pages up on line here at Andy Runton's website (click on the picture of the book), and Owly's lonely sadness made me weepy all over again. Even after the birds fly from him, he still puts seeds out for them...Poor lonely Owl. After the birds and fireflies reject him, he saves a drowning worm. But when he takes the worm home to its parents, they slam the door in his face, and we see him walking away, alone again, so sad (this is where my son lost it). I am so glad that (spoiler) he and Wormy were together at the end. Phew. "The Bittersweet Summer" is much less fraught, because Owly and Wormy are still friends, although the discerning reader can guess from the title that there are still tricky bits emotionally speaking.

I "read" this out loud to my children, which was challenging, because it has almost no words, and I didn't want to add any. So mostly I just made lots of sad noises, and some happy noises. It seemed to work. But it is hard to know when to turn the page--I see faster than they do.

I've just ordered Owly books two, three and four (A Time To be Brave, coming out in October) for my local library.



And if you go to the San Diego Comic-con, you can get an Owly hat. How cute is that! But why, following links promoting Owly mechandize to this end point can you by a men's owly tee shirt, but not a boys? The only kids tee shirt for sale is described as a "girly-T." If I buy one for my son, will he be mocked?

Happy Constitution Day

Happy Constitution Day, everybody! Here it is, in all its glory. I have been trying, at various points in my life, to memorize the amendments, and slowly I'm making progress.

I was curious to see what a google search for "children's books Constitution Day" would produce. Mostly it seems to be the "celebrating America" type of book (see here, for example). It seems to me more to the point to compile lists of books that describe the need for the amendments, the struggle to enact them, and the consequences of their enactment. The amendments may perhaps be hard to memorize but they are oh so important to our lives, and what better way to learn about them than through fiction? (I say, as one who learns most easily that way).

Take, for instance, the story behind Amendment 26, the voting right set at 18 years, passed in 1971. Before 1971, you could drink and get drafted at 18, but not vote, now you can vote and get drafted, but not drink. Hmmm....But has this amendment made it into a ya book yet as an interesting (?) sub-plot?

Here are two amendments particularly rich in Story Potential:

Amendment 13 - Slavery Abolished. Ratified 12/6/1865 -- Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.

Amendment 19 - Women's Suffrage. Ratified 8/18/1920--the right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex.

I thought it would be easy-peasy to go on line and find rich bibliographies of children's fiction (not picture books) on these two topics, but I was wrong. If they are out there, where are they? Sure, some places list two or three books, but is that it?

One of the more immediately relevant amendments for bloggers would be the First Amendment. A good book on this topic is Nothing but the Truth, by Avi, and here's a guide to discussion about it. There must be more books out there on freedom of speech, but they aren't coming into my head. Perhaps I should go look at the lists of banned and challenged books.

Anyway, I'm here celebrating Constitution Day by exercising my freedom of speech, blogging cheerfully away, with little real fear of government interference. Here are some voices from elsewhere in the world on that topic.

Library love

I love my library, with all its red brick ex-school building charm (at least, I work very hard to believe it is charm).

But here are some libraries that don't require any effort at all to love (unless you are a stark modernist, which is fine. We can all agree that less is sometimes more). Thanks for the link, Patrick!

TAKE A RIDE ON THE READING RAILROAD: Call for submissions for the September 2007 Carnival of Children's Literature

Take a Ride on the Reading Railroad here at Charlotte's Library when the September Carnival of Children's Literature comes to town!

If you'd like to hop on board, head on over to BlogCarnival and link up your posts.

The train is leaving on Friday, Sept. 21 at midnight eastern time, arriving at the beginning of the following week (unless there's a cow on the line). So get your links linked early and often!

If you haven't been part of a Blog Carnival before, do not be put off by feelings of shyness and uncertainty. It is very easy-- you just create a link to your favorite post from the past month or so, and slip it into a slot at the Blog Carnival website.

Here are some links to past carnivals: the very first one, at Here in the Bonny Glen (Melissa is still the carnival organizer--thanks, Melissa!) The most recent one, here at Po Moyemu--In my opinion, and the one before that at Saints and Spinners.

Thanks!

Clan Apis

Yesterday, I wept more over a book than I have for years. I was reading it out loud, and could barely choke out the words between sobs. It was a disservice to the book-- my children were so busy staring at me with half-alarmed amusement that they had little attention left for the poignant words and pictures.

What was this tear jerker? A graphic novelized version of the life of a honey bee, by Jay Hosler (2000, 158pp, which might seems like a lot for a reading out loud book, but it goes very quickly). "They" say it's for kids 9-12, but my four year old and I both liked it lots, so there you are.

We first meet Nyuki, the bee heroine of the story, when she is a little larva (cute and sassy), and follow her through the kind of intimidating things that happen when you're a bee--metamorphosis, leaving the hive for the first time, learning that the more you fly, the faster your wings wear out, and finally, dying (whah).

A truly excellent book--good science, good story, good pictures, good messages (things like: compost is good. Even though someone (a dung beetle) seems really strange and does things you think are yucky you can still be friends. Females are smart and brave). It was good reading practice too-- although I can read just fine when I'm not sniffing, my seven year old still doesn't read to himself--and a book like this gives him a chance to be one character while I do everyone else.

If you want to learn more about the book and the bees, visit its great website. Among other things, the website has a summary of the science topics covered in each section of the book. And it is science that one can trust--Jay Hosler is, after all, a neurobiologist who studies olfactory processing in honey bees.

A minor touch that we greatly enjoyed was an introductory page of pictures of bees drawn by children of all ages and skills -- from sausages with wings to real "nature drawings." I found it inspiring, and imagine that kids would too (mine, as usual, refused to comment in a useful or meaningful fashion when I asked them).

In short, if you have a kid who likes both Calivn and Hobbs and non-fiction, fact filled books, Clan Apis would be prefect. Or if you have a kid who has never tried a graphic novel, and who isn't wild about science, this book would be perfect.

For Poetry Friday: The Shell, by Ted Hughes

My older boy has an enlightened second grade teacher--instead of set assignments, they have homework choices each week, and one of these is always the memorization of a poem. Here's the poem all of us ended up memorizing this past week:

The Shell, by Ted Hughes

The sea fills my ear
with sand and with fear.

You may wash out the sand,
but never the sound
of the ghost of the sea
that is haunting me.

This poem is anthologized in The Mermaid's Purse, by Ted Hughes, illustrated by Flora McDonnell (2000). I looked at it with some suspicion when my husband brought it home (associating Ted Hughes, in my ignorance, with suicide and darkness), but now I think it is a lovely book. Ostensibly it's for children 4-8, but to heck with that. I think that with poems such as this, the older you get the more meanings you can see.

In this case, we talked about what "the ghost of the sea" might mean. The children do not yet (I think) have much experience with regret, loss, and the cruel relentless inexorable erosion of the coast of life by the passage of years (ha ha), although they are aware of global warming and we are all glad we live on high ground. Nor do they truly realize that even though we live within 45 minutes of beaches we didn't go once this summer (although there's still tomorrow) and therefore they have Bad Parents (but I really hate sand in my shoes). So the ghost of the sea might not have as many layers of meaning for them as it does for me, but they will come. And in the meantime, the children still like the poem.

For more about Ted Hughes, here's a review of his collected poems from Kelly at Big A littl a.

The Poetry Friday Roundup is at here at Hipwritermama today!

A Year's Worth of Book Buying for my Library

The Annual Meeting of the Friends of my library was last night (I'm the president). In the last year, we raised over $4000, and spent over $4000. More than half of that we spent on books, and I would just like to say thanks to all the blog reviewers out there whose advice I took in buying 219 j and ya books for the library! Now all we need is more kids to come in and check them out. I'm also a little proud that we raised $1000 to send to Biloxi, to help rebuild the Katrina ravaged libraries there. A drop in the bucket, but still.

Once harmless pictures for children, now Bird of the Devil

In the 1970s, many of us British-educated types enjoyed the Ladybird series of non-fiction books, and in fact found them strangely compelling (I, for instance, still have my Ladybird Life of Nelson, which I read repeatedly as a child despite having little interest in a. Nelson b. Naval Warfare c. the early 19th century). I find even more strangely compelling the Ladybird inspired work of a modern artist, Edward Summerton, who has taken birds of prey pictures from the original books, and Paganized them, turning them into Demon Birds!

From this type of bird illustration:



to this:


The demonic bird on the right is called "Tree Creepy." Not something I would put up on the wall of my kid's room, perhaps, but charming in its own demonic way. The series of pictures has been published (in Denmark) as: "Bird [sic] of the Devil."
Here's the full article.

The New Policeman by Kate Thompson, 2005, 279 pages.

In the village of Kinara in Ireland, a young fiddle player, J.J. Liddy, asks his mother what she wants for her birthday. "Time," she answers, with good reason. All the time in Ireland is pouring into the land of Tir na N'og, and J.J. finds himself racing to find the leak before time runs out, discovering the truth about his family's past in the process, and learning some great new tunes.

The New Policeman is fun, fast-paced, and engaging. Thompson fleshes her plot out with music--J.J. comes from a family that has Irish traditional music at its heart, and each chapter ends with a tune transcribed by Thompson. As the wife of an Irish piper and sometime fiddle player myself (although I stopped when my oldest was born, because my playing made him scream), it was fun to see the tunes she chose, and fun to read her descriptions of the music with a critical eye ("anarchic" is not a word I would use to describe it. It has lots and lots of rules, both musical and social).

I enjoyed reading the book. I managed to find time to read it basically in one go on an evening alone with the kids while my husband was off playing at a local session (I sent them outside repeatedly, so it was a win-win). But it didn't move me emotionally. I didn't find a scrap of numinousness in it--that feeling in the best fantasy books when your eyes get all big and you perhaps feel a bit shivery. Tir na n'Og was mostly just a neat sunny place. When it was supposed to be a bit scary, Thompson basically says "this bit felt a bit scary." Nor was there any depth to the characters. J.J. is never more than your basic Nice Boy; everybody else is primarily a place holder.

Still, I will be reading the sequel, The Last of the High Kings, as soon as it makes it over here. Here's a glowing review of it from a UK reader.

Others apparently see things in The New Policeman that I don't--it won the Children’s Books Ireland Bisto Book of the Year, the Guardian Children’s Fiction Prize 2005, the Whitbread Book Award Children’s category 2005, the Children's Book of the Year in the Irish Book Awards in March 2006 and has been longlisted for the Carnegie Medal.

Note: No musical metaphors were used in the writing of this review. If musical metaphors are what you really want, read the reviews at Amazon. You will find lots.

Poetry Friday-- Bike Riding and its bloody consequences

My son got his first real sans-training wheels bike yesterday, a move inspired by the conversation he just had with his pediatrician:

Dr: So, can you ride a bike?
Son: "Well, my parents promised me a bike months ago but they still haven't gotten it for me."
Dr: "And do you brush your teeth yourself?"
Son: "Well, I'd like to, but there's no toothpaste in the tube, and my parents said they'd buy me some more but they haven't."

So now he has to learn to ride the thing (and to work harder at getting the toothpaste dregs out of the tube. There's plenty left).

For Poetry Friday, here are some poems celebrating the wonder and pain that is the Bike:

INJURY by Edel Wignell* (first published in School Magazine)

We raced our bikes and crashed.
I looked at the gash, and swooned.
Then my Dad discovered a bandage
And wound it round the wound.

MARY AND THE BIKE by Ed Blair, 1901 (Kansas Zephyrs, p. 143)

Mary had no little bike__
Like other kids at school
And so she stole the teacher's out,
Which was against the rule.
The teacher chased, but 'twas in vain,
For she flew like a fairy
Until the bike shied at a rock
And pied itself and Mary.**

And lastly, check out "Because I could not stop my bike" by Karen Jo Shapiro, in the book of that name, illustrated by Matt Faulkner (2005). It's a collection of very funny parodies of well known poems.



My favorite learning to ride a bike episode in children's fiction is Randy, in The Four Story Mistake, by Elizabeth Enright-- when she turned right, saw the long steep hill headed down through town, and forgot how to brake...

For more poems, you could check out The Art of Bicycling: a Treasury of Poems, Justin Daniel Belmont, ed., Breakaway Books, 2005.


*Edel Wignell is an Australian writer of chapter books, picture books, and poetry (as well as grown up books). I've never read any of her books, but browsing through the list on line I saw several that looked good (The Long Sticky Walk, in particular).

**I thought this one was interesting both because it seemed pretty early for it to be normal for a girl to be riding around on a bike, and because I liked the use of "pied" as a verb.


The POETRY FRIDAY roundup is at Semicolon today. Enjoy!

Language, Metaphor, and Children's Literature

There's a conference on children's literature coming up October 26 and 27th at Trinity College (University of Toronto)-- Particles of Narrative: Language, Metaphor, and Children's Literature.

This is the talk I'd like to hear:

Megan Whalen Turner: Reality in Suspension

If our fiction is a solution of reality dissolved in fantasy, what particles of reality are suspended there? Are these what Coleridge suggested in Biographia Literaria must be transferred “to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith”? Love, Loss, and Bad Judgment are embedded in our fiction, as well as historical events, snapshots of Greece, Oxford, The University of Waterloo, and things even more prosaic – what we had for dinner last night, noses, bilateral symmetry, and the assumptions of the day. The reader is the catalyst that acts in this solution. What precipitates then, when a reader reads?

Just in case the name Megan Whalen Turner rings no bells, she is the author of some of my favorite books ever -- The Thief, The Queen of Attolia, and The King of Attolia.

But perhaps more people will be eager to go to the Friday night keynote address:

PHILIP PULLMAN Poco a Poco: The Fundamental Particles of Narrative

Philip Pullman will look at the smallest possible units of story and, taking one such particle as an example, show what these microscopic events do in the context of a longer narrative, and how they acquire meaning, emotional power and metaphorical complexity.

Here's the link to the full program.

The Moon Princess

Dakota Blue Richards is having a busy year. After being Lyra in The Golden Compass movie, she's about to be Maria, in the movie version of A Little White Horse (The Moon Princess). I know that the question of whether an actor looks like the character as described in the book is not one that concerns the people who cast movies (Emma Watson is not my idea of Pauline, nor is she Noel Streatfeild's). But this picture of Dakota Blue Richards looks exactly like Maria as described in the book:

And I just learned that Colin Firth is going to be Sir Benjamin -sounds good. The Official site about the movie doesn't confirm this, however.

Here's an earlier post I wrote about the Little White Horse/Moon Princess. I am more optimistic now.

Max's Words

Max's Words, by Kate Banks, illustrated by Boris Kulikov, 2006, 32 pages,
ages 4-8.

Our librarian flung this book at our heads a few days ago. It was a happy choice (the book, not our heads). Not only did we enjoy reading it, it inspired an hour of "literacy activities" that made me feel like a Good Parent.

The plot is simple--Max has two brothers, one an avid philatelist, the other an equally avid numismatist. But will they give Max a single stamp or coin? No. So Max decides to start his own collection--of words. He cuts them out of newspapers and magazines, and copies them from the dictionary (it was scary for a minute there. I thought he was going to cut up the book). Soon he has heaps and heaps of words, in pile after pile.

Words are pretty neat things (even banal, overused ones). Words that tell stories are especially nice (a word I will defiantly continue to use, even though my fourth grade teacher told me not too. Darn it). Max begins to use his words together, and the fun really begins as they turn into Stories.

The words are not just any old words, but Illustrated, Colorful, Alive words that are rapidly evolving into concrete poetry. "Baseball" is bat shaped, "hungry" is bitten, "alligator" and "crocodile" have spiky teeth. And when the words make stories, clever and colorful illustrations show how they fit together.

The words are so much fun, in fact, that the two older brothers want their share. They start to make their own story, and the (mild) tension builds--will they get the words together fast enough to kill the worm (bad older brothers) or will Max be able to foil them with a quick arrangement of his own words, and save it?*

The value of words in a more pragmatic sense is underlined at the end, when Max swaps piles of words for a coin and a stamp (which he can perhaps use to send his first ms. off with).

In short, this was a fun, snappy book. But wait, there's more. The real value of this book, I think, is that it makes kids (and me too) want to write words on pieces of paper, cut them up, and make stories and nonsense and poems with them. This is what we did last night--about an hour of all four of us on the living room floor, surrounded by words, and some punctuation. My little boy slept with the question mark and the exclamation mark, and took them to school today. The last I saw of them they were on the Sharing Chair, a tad doubtful, but very excited.

*the worm lives.

PS: My personal favorite book about the power of words is Murder Must Advertise, by Dorothy Sayers. My favorite book in which words come alive is Finn Family Moomintroll, by Tove Jansson.