When we meet Sandy and Richard, they are living in rented rooms in a city in Northern Ireland without their beloved dog and their slightly less beloved cat while their father searches for a new job (he's a historian) and recovers from being ill. They have an uncle, holed up in the family's ancestral home, Rathcapple, but there was family unpleasantness, and they've never met him. But the uncle is getting old, and their mother decides that they shall foist themselves on him, and live in a few rooms of to the side, until their father is better and has a solid job. The uncle is not welcoming, but doesn't forbid this, as long as his work on his book about local history and nature isn't disturbed.
Sandy and Richard are delighted to be in the country, with their pets. The old, ruined fortification, the rath that the house is named for, is a thrilling place, and there they meet a young horseman, Angus, who seems almost magical. They are determined to make their uncle want them to stay by helping him find the last bits of information he needs for the book--the story of the fiddler who played a role in a long-ago Irish rising against the English, and the story of a young nursemaid to the McNeills accused of stealing a family treasure.
And this is where the time travel comes in (if you don't want spoilers, skip to the next paragraph) --Richard visits the fiddler, and inhabits the Mcneill boy his own age fleeing for his life, and Sandy in her turn lives the crucial day of the young nursemaid's life. But though they know what really truly happened, they have to find proof, and their quest to find corroborating evidence through material remains and historical documents was as interesting to me as the time travel itself. They are encouraged in their efforts by the horseman, Angus, who is himself unmoored in time and who I assume is the instigator of their time slipping...
There are more quotidian doings and happenings of the sort you'd expect from two kids moved to an old house in the country, and this was very enjoyable as well. There is, for instance, a lovely pageant that is quite amusing, jam making, exploration of the countryside, and shenanigans with a local boy who becomes their friend (one such episode is shown on the cover, which I find an odd choice, when the illustrator had the big old house and the ruined rath and the heroic figure of Angus on his magnificent horse on hand; perhaps "boy riding cattle, seen from behind" seemed more Exciting and Likely to Appeal to Boys....).
It didn't quite reach the numinous heights I wished it would have, possibly because there wasn't quite enough emotional tension, but it came close, and I am pleased that there is a second book about the family for me to look forward to.
Quite a lot of ruined buildings in the midcentury for children to hang out in, weren't there? You really need to take a look at Graff's upcoming Rewind for a future Timeslip Tuesday post!
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