
I picked this up last week in the library's new book section--it seemed to fall nicely into the non-fiction that will appeal to both boys (6 and 3) category, and I liked the cover. It was a good choice.
Yesterday I posted a brief review of the video Sea Nasties. After a half hour or so of Leslie Nielsen's dark humor, the video ends on a completely different note, with Nielsen speaking, very movingly, this ee cummings poem:
maggie and milly and molly and may
went down to the beach (to play one day)
and maggie discovered a shell that sang
so sweetly she couldn't remember her troubles,
and milly befriended a stranded star
whose rays five languid fingers were;
and molly was chased by a horrible thing
which raced sideways while blowing bubbles:
and may came home with a smooth round stone
as small as a world and as large as alone.For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea
Apart from my anxiety about poor molly, I think this is a lovely poem.
I had another Cummings quote in my head --"an instrument to measure Spring with," and looking for that on line I found this genuine article:
A 1613 pocket sundial from the Harvard Collection of Scientific Instruments, featured in the Harvard Magazine March April 2002 issue as part of an enthralling collection of Spring Miscellanies.
The Poetry Friday round-up is at Big A little a today.
Quinquireme of Nineveh from distant Ophir,
Rowing home to haven in sunny Palestine,
With a cargo of ivory,
And apes and peacocks,
Sandalwood, cedarwood, and sweet white wine.
Stately Spanish galleon coming from the Isthmus,
Dipping through the Tropics by the palm-green shores,
With a cargo of diamonds,
Emeralds, amethysts,
Topazes, and cinnamon, and gold moidores.
Dirty British coaster with a salt-caked smoke stack,
Butting through the channel in the mad March days,
With a cargo of Tyne coal,
Road-rail, pig-lead,
Firewood, iron-ware, and cheap tin trays.
Patricia McKillip is a writer of beautifully crafted words. She is a story teller who does not write for her readers, but for the sake of the story, if that makes any sense. And because the story has such a life of its own, sometimes the reader gets a tad confused (ie, a lot of her books have confused the heck out of me, although not as much as Diana Wynne Jones' Fire and Hemlock). But the rich, dense, imaginings she offers are worth the confusion. I especially love The Cygnet and the Firebird, which I think is much the stronger of the two books, possibly because I was less confused. This one should perhaps be read first if the reader is Doubtful about the whole thing. It has some of the most beautiful descriptions of dragons I know of, and my favorite two pages of romance in a fantasy book (so much nicer to read than all the torid romance in the recently read fourth book of the travelling pants (see below)).
He is a Monarch, he is a Duke.
Swallows that swallow him
frequently puke.
Much hilarity ensues, and with the addition of a few well chosen words from the reader, they actually learn something...
Moominland Midwinter progresses, albeit slowly.
In case anyone out there has never met the moomins--they are a family of very charming trolls who live in Finland. In Moominland Midwinter, the boy of the family, Moomintroll, wakes up in the middle of winter, while all his family are still hibernating. He finds himself in a world of dark and cold and strange lonely creatures...I like to start with this moomin book, even though it is not technically the first (which is Comet in Moominland), because it has fewer characters competing for the reader's attention, and you really get to know and love Moomintroll.