Here are my three favorites:



And now, two covers that I so so so did not like. That I, in fact, hated.


On a happier note, here's my choice for most beautiful cover girl. Isn't she lovely?

Edited to add:

Becky has a review of Duke Ellington His Life In Jazz.
Abbey has a little roundup of nonfiction titles she's read lately over at Abbey (the) Librarian
Tweet! Tweet! at Simply Science offers a fresh look at the United Tweets of America, with activities (and gosh how my five year old loves that book. Just saying "western meadowlark" to him cracks him up).
Tying in nicely with the tweets is this post at Chicken Spaghetti, where you can find "Wonders of America: Yellowstone."
If you have ever wondered how handwritting is being taught in schools these days, head over to Books Together, where Anamaria looks at Script and Scribble, a book for grown-ups.
And at Sweetness and Light, there's a look at Graphing in the Desert.
Wendie's Wanderings lead us to Baby Animals of the Grasslands.
Paul looked out into the darkness. The silence concealed the landscape he knew: the neat, orderly landscape of hedgerows, shapely trees, hills lifted to meet sky and cloud, fields, streams, squat cottages, a landscape that seemed set and unchanging in all but the variety of season, the variety of colour and of light. But it was not. Beneath it lay all those other things: People working, fighting, dying....he imagined other eyes in other times looking at the same things, feeling the same feelings, thinking...No not thinking the same things. That would be the difference.Lively went on to write other timeslips --The Ghost of Thomas Kempe (1974), The House in Norham Gardens (1976), and A Stitch in Time (1976)--which are rather more successful at gracefully meshing different times than is the case in The Driftway. Those who love old roads, however, will find much to like here.
'You can't know how they thought,' he said. 'Not really.'
'I s'pose not, son. But we should try. We should do that.' (p 80, 1985 edition).
Within the book are three separate narratives. There is the story of Saffron's American childhood and quest to reclaim her treasure, told in the first person with bits of very bloodthirsty piraticalness coming through from time to time (an engaging YA type narrative). There is the story of Emer, a girl whose life was destroyed in Oliver Cromwell's invasion of Ireland, and who ends up, after a path of victimization, a bloodthirsty pirate (dark historical fiction-strong stuff, not for the faint of heart). And there is the third story, telling the truly unpleasant thoughts of Fred Livingston, middle-aged real-estate tycoon (neither YA nor historical fiction). Things are complicated by the interjection of vignettes from Emer's various dog lives.
In short, this is a challenging book--there is a lot happening, and it is not immediately clear how all the pieces fit together (although they do in the end). The moment I read the last page, I wished I had someone to discuss it with. I myself found the Saffron/Emer shared identity not as fully explored as I would have liked (the trauma of Emer's past seems to be deeply buried in Saffron's mind), and it's not clear what the experience of being one hundred dogs did for her. Each of the dog vignettes must be there for a reason, but reading the book the first time through, I was too caught up in the exciting plot to stop and think. So I think I shall go back and read Saffron's story arc and the dog bits again, now that I Know...
Here is the excellent Dust of 100 Dogs website, and here are some other blog reviews, at Jen Robinson's Bookpage and Bookshelves of Doom, and a trailer at The Compulsive Reader.